Review: 'Ghost Rider: Spirit of Vengeance', starring Nicolas Cage and Idris Elba

No other character in the Marvel Universe is more suited to the manic, bipolar antics of Nicolas Cage than the Ghost Rider, which is why the 2007 film turned out to be so disappointing. Directed by Mark Steven Johnson with all the flair of dry toast, all of Ghost Rider's most unique genre attributes were frittered away in a bland attempt to follow in the phenomenal success of Batman Begins. With Johnson mostly out of the picture, the rapidly produced sequel gets a much needed fuel injection with the twin duo of Neveldine/Taylor behind the camera, bringing with them the same chaotic energy that led them to success with both Crank movies.

Ghost Rider: Spirit of Vengeance is a more complicated beast, and for the most part Neveldine/Taylor are up to the challenge.  More in tune with the character's dark, pulpy roots, the supernatural grindhouse feel will be a welcome reminder to fans of Cage's underrated Drive Angry.  After a brilliant, Mignola-esque animated sequence zipping us through Johnny Blaze's deal with the devil that transformed him into the Ghost Rider, we learn he's been hiding out from civilization out in eastern Europe. His hopes of keeping the demon inside him locked away are quickly dashed with the arrival of Moreau(Idris Elba), a gun toting, hard drinking warrior monk who warns him of the Devil's(Ciaran Hinds) plan to attain a new host body. To do it, he'll enlist another damned soul named Carrigan(Johnny Whitworth) to kidnap the son of Nadya(Violante Placido), a woman he also struck an ill pact with. The Devil is a hell of salesman, apparently. He's always closing. The promise of eternal redemption is all Blaze needs to sign on for his most dangerous mission yet, playing the unfamiliar role of protector.

With a trimmed down budget, this version of Ghost Rider has a tougher, meaner look to it. The lack of polish makes the flame-headed biker all the more visceral and terrifying, especially when he's got some poor thug in the grip of his soul destroying "Penance Stare". The action scenes should be where the film really shines, but unfortunately the directors don't go far enough. While some of it is pretty awesome to behold, like when Ghost Rider jumps in a giant construction vehicle and lights it with hellfire, others are uninspiring.  Undoubtedly they've got a better grip on what makes the character tic, but you expect Neveldine/Taylor to go absolutely ape dump on a movie like this, and sometimes it feels like they held back.

Essentially shot in exactly the same manner as Crank, it's when the Ghost Rider is on the open road that are the brightest spots. Sure it's a little dizzying with all the jump cuts, speed ramps and other crazy camera tricks the directors typically employ, but it works to give the film a distinctive look. Even during the rare times when the action slows down, there is rarely a dull moment. A self aware sense of humor, such as when Ghost Rider starts urinating hellfire, occasionally works but often feels a little forced.

Cage gives the sort of performance you'd expect for a movie this insane. He's constantly "on", flashing his teeth at every opportunity and always looking as if he's about to snap and jump off the cliff or something. While that may not work as often as he employs it, that's exactly the mode Cage needed to be in for this role. What's more entertaining is Idris Elba, who appears to be trying to match Cage for scene chewing honors. His chatty, wobbly Moreau is a total 180 from the strong and silent guardian he played in Thor.

 While it's not a great movie, fans of Ghost Rider will leave the theater far happier than they did five years ago. There's still a better film to be made, and perhaps it'll happen in a few years with a slightly better script. Ghost Rider isn't ready to ride off into the sunset just yet.