The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label Boston Society of Film Critics. Show all posts
Showing posts with label Boston Society of Film Critics. Show all posts

Monday, December 9, 2013

Boston Awards Voter Lobbies Against 'Morally Repugnant" 'The Wind Rises'



Hayao Miyazaki's The Wind Rises has been met with great critical acclaim by awards voters so far this season, fitting for the legendary director's final film, but it's also been the subject of a great deal of controversy. The story largely follows the life of Jiro Horikoshi, the Japanese designer and engineer responsible for the Zero Fighter used in WWII. While the film romanticizes Horikoshi's story a great deal, many in Japan and South Korea have lambasted it for failing to examine the full effects of his work.

One critic who took great offense to this was Village Voice film critic Inkoo Kang, who lobbied hard against The Wind Rises before the Boston Society of Film Critics cast their votes in the Best Animated Film category. Here's the text of Kang's statement, provided by Indiewire...

The Japanese Imperial Army killed 30 million people -- a fact that is barely alluded to by the film.
As you may know, its most egregious offenses during WW2, which include orchestrated mass rape, slave labor, and medical human experimentation on live and conscious human beings, are not taught to students, nor are they mentioned in textbooks. 

After decades of denying that Japan had forced tens of thousands of Korean and Chinese women into sex slavery, one Japanese prime minister finally admitted his country's actions during the war. Every other prime minister has since reversed the apology, either minimizing or wholly denying those war crimes. 

Miyazaki's film is wholly symptomatic of Japan's postwar attitude toward its history, which is an acknowledgement of the terribleness of war and a willful refusal to acknowledge its country's role in that terribleness. 

The film also pits European and American powers, in the abstract, as Japan's rivals, but in fact, those planes were used to "pacify" Japan's Korean colony and invade China, the Philippines, and Vietnam, and many other countries, including, of course, the U.S. 

To me, the fact that the film glosses over the true purpose of those planes -- and never mentions the fact that those planes were built by Chinese and Korean slave labor -- is morally egregious. 

She would also refer to the film as "morally repugnant", Despite her comments, the group went ahead and awarded the prize to The Wind Rises, beating out Disney's Frozen. Chances are it will continue to gain Oscar buzz over the coming weeks, but it's clear that some voters will be thinking a little bit harder about the animation category this year.

Sunday, December 8, 2013

Cate Blanchett Sweeps New York, Boston, and Los Angeles Film Critics Awards


While it's almost always foolish to start prognosticating for the Oscars based on critics group awards, that has especially been true over the last few days. No one film has emerged as a dominant force, and that continues today as the Los Angeles Film Critics, New York Film Critics Online, and Boston Society of Film Critics announced their top honors.

Steve McQueen's moving historical drama 12 Years A Slave took Best Picture from NY and Boston, while LA did their own thing and went with a tie between Spike Jonze's Her (not surprising, really) and Alfonso Cuaron's Gravity. LA was wrought with indecision, actually, delivering ties for Best Director between Cuaron and Jonze; Best Actress for Cate Blanchett in Blue Jasmine and Adele Exarchopoulos for Blue is the Warmest Color; and another tie with James Franco winning for Spring Breakers and Jared Leto for Dallas Buyers Club.  Blanchett would clean up by taking home the award from NY and Boston, as well. So much for any talk of her losing steam. Chiwetel Ejiofor was honored with Best Actor by NY and Boston, while LA showed Bruce Dern some love for Nebraska.

Lupita Nyong'o continues to look like the heavy favorite for Best Supporting Actress with LA and and NY adding to her tally, while Boston went with Nebraska's June Squibb. What you won't find is much mention of American Hustle or The Wolf of Wall Street, with the former only winning NY's Best Ensemble Film category and producer Megan Ellison taking LA's New Generation award. Boston clearly fell in love with Nicole Holofcener's Enough Said, approving of her screenplay while also giving the late James Gandolfini a posthumous Best Supporting Actor win. The Best Documentary category may be moving towards a showdown between The Act of Killing and Sarah Polley's Stories We Tell. While 'Stories' edged out 'Killing' in LA, it was the latter that came out victorious in Boston and NY.

The full list of winners for all three groups is below. The Washington DC Area Film Critics Association will reveal their awards tomorrow at 8am. Follow the announcements with Twitter #WAFCAAwards13

New York Film Critics Online
Best Picture: “12 Years a Slave”
Director: Alfonso Cuaron, “Gravity”
Best Actor: Chiwetel Ejiofor, “12 Years a Slave”
Best Actress: Cate Blanchett, “Blue Jasmine”
Best Supporting Actor: Jared Leto, “Dallas Buyers Club”
Best Supporting Actress: Lupita Nyong’o, “12 Years a Slave”
Best Ensemble Cast: “American Hustle”
Breakthrough Performance: Adele Exarchopoulos, “Blue Is the Warmest Color”
Best Screenplay: Spike Jonze, “Her”
Best Debut Director: Ryan Coogler, “Fruitvale Station”
Best Cinematography: Emmanuel Lubezki, “Gravity”
Best Use of Music: “Inside Llewyn Davis”
Best Foreign Language Film: "Blue is the Warmest Color"
Best Documentary: "The Act of Killing"
Best Animated Feature: "The Wind Rises"

Boston Society of Film Critics
Best Picture: “12 Years a Slave”
Best Director: Steve McQueen, “12 Years a Slave”
Best Actor: Chiwetel Ejiofor, “12 Years a Slave”
Best Actress: Cate Blanchett, “Blue Jasmine”
Best Supporting Actor: James Gandolfini, “Enough Said”
Best Supporting Actress: June Squibb, “Nebraska”
Best Ensemble Cast: “Nebraska”
Best Screenplay: Nicole Holofcener, “Enough Said”
Best Documentary: “The Act of Killing”
Best Animated Film: “The Wind Rises”
Best Foreign Language Film: “Wadjda”
Best New Filmmaker: Ryan Coogler, “Fruitvale Station”
Best Cinematography: Emmanuel Lubezki, “Gravity”
Best Editing: Daniel P. Hanley and Mike Hill, “Rush”
Best Use of Music in a Film: “Inside Llewyn Davis”

 Los Angeles Film Critics

Picture: “Gravity” and “Her” (tie)
Director: Alfonso Cuaron, “Gravity”
Actor: Bruce Dern, “Nebraska”
Actress: Cate Blanchett, “Blue Jasmine,” and Adele Exarchopoulos, “Blue Is the Warmest Color” (tie)
Supporting actor: James Franco, “Spring Breakers,” and Jared Leto, “Dallas Buyers Club”
Supporting actress: Lupita Nyong’o, “12 Years a Slave”
Screenplay: Richard Linklater, Ethan Hawke and Julie Delpy, “Before Midnight”
Foreign-language film: “Blue Is the Warmest Color”
Documentary/nonfiction film: “Stories We Tell”
Animation: “Ernest & Celestine”
Cinematography: Emmanuel Lubezki, “Gravity”
New Generation: Megan Ellison
Film editing: Alfonso Cuaron and Mark Sanger, “Gravity”
Production design: K.K. Barrett, “Her”
Music score: T Bone Burnett, “Inside Llewyn Davis”
Douglas E. Edwards Independent/Experimental Film/Video Award: “Cabinets of Wonder: Films and a Performance by Charlotte Pryce”
Special citation: The creative team of “12 Years a Slave”
Legacy of Cinema Award: Criterion Collection