The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label Beyond the Lights. Show all posts
Showing posts with label Beyond the Lights. Show all posts

Friday, December 26, 2014

The Best and Worst Onscreen Kisses of 2014


There are a few weeks left in the year, but I think we can safely say that the movies with the best kisses have already graced our movie theaters. And this is really important stuff, OK? Generations of teenage girls are being influenced by these kisses every time another shoddy (probably supernatural or dystopian) teenybopper romance comes out. Middle-aged women (your moms, people!) are still helping Nicholas Sparks pay his bills. And although there were a fair share of terrible action movies this year (ahem, 300: Rise of the Spartans or Sin City 2: A Dame to Kill For), it was the women in those films that often elevated the material (looking at you, Eva Green). So sexy stuff – it sells, etc.

Along that vein, then, what were the five sexiest moments onscreen this year? The majority of these are kisses, but I’m also going to consider “smoldering looks” and “vigorous lovemaking” among the data. It’s very scientific. Let’s jump into it!

+ Veronica Mars and Logan Echolls, from Veronica Mars. You want smoldering looks? Kristen Bell and Jason Dohring will give you smoldering looks, from his and hers perspectives, no less:




Guh. For all the marshmallow ‘shippers of this relationship out there – and I am among your ranks, so much – this was the ultimate.

Oh, and here, have this:


That was the ultimate, too.

+ Peter Parker and Gwen Stacy, from The Amazing Spider-Man 2. OK, so The Amazing Spider-Man 2 wasn’t that great. There were too many villains and Jamie Foxx was kind of wasted and Dane DeHaan was definitely wasted, but it’s upsetting that this series might actually be over and Andrew Garfield will be out of a job, because he is exactly my cup of tea in this role. And of course, he’s Emma Stone’s cup of tea, too, given that they’ve been dating for a few years and their natural, off-camera chemistry thankfully graces every moment they have on-screen together, too.

These are real smiles, people! Look at all those teeth!



Oh, and here, have this. Sinewy muscles for everyone!



+ Hazel Grace Lancaster and Augustus Waters, from The Fault In Our Stars. Oh, what else is there to say about this movie? It dominated the pop-music realm during the summer, made a solid amount of money, and kept the Shailene Woodley train moving forward. But what worked so beautifully and realistically and believably, I think, out of anything else, was that sex scene and how delicately but honestly it was handled.


All you needed to see was the couple of inches of skin from Woodley’s back to know where this was going, and to get swept up in the emotion of it all … and by that I mean, weeping profusely. Like I did, especially at this.


Sorry, not sorry.

+ Noni and Kaz, from Beyond the Lights. Gugu Mbatha-Raw gave two of the year’s most captivating performances in the films Belle and Beyond the Lights, and if you haven’t seen either of them, fix your life. Especially because Beyond the Lights has both some of the year’s most off-putting and touching sex scenes, and it’s still in theaters, and go right now.

There is a lot of gross sex stuff in this movie (it is, after all, an examination of how the music industry commodifies both women’s bodies and their emotions), but there are two scenes in which Mbatha-Raw and her costar Nate Parker really shine: some up-in-the-air sexiness set to Beyonce’s “Drunk in Love” (used far better in this film than in the terrible Fifty Shades of Grey trailers) and a practically silent sex scene later in the film, when they’ve grown more comfortable with each other, more willing to let walls drop, more open to seeing who they really are. Just writing about it is giving me chills.



+ Gamora and Peter Quill, from Guardians of the Galaxy. OK, this is kind of a cheat, because Zoe Saldana and Chris Pratt’s characters don’t actually kiss. But it was a great moment when they didn’t, since it continued Guardians of the Galaxy’s “subvert the superhero genre” agenda. Also interesting that the film’s trailers contained brief glimpses of Gamora and Quill shirtless, but those scenes were both deleted from the final cut. A subversion, sure, but still sexy.


And, a few of the worst of the year:

+ Labor Day: Just because a convict can bake a pie does not mean you should have sex with him.


+ Winter’s Tale: Just because that mysterious time-traveler with the awful haircut looks like Colin Farrell does not mean you should have sex with him.


+ Million Dollar Arm: Just because your terrible landlord looks like Don Draper but with more Orientalist tendencies does not mean you should have sex with him.


+ The Hundred-Foot Journey: Just because you’re two chefs who realize that you’re in love with each other does not mean you should have sex in your restaurant while serving your parents and mentors.


+ The Legend of Hercules: That guy is Kellan Lutz. ESPECIALLY DO NOT HAVE SEX WITH HIM.



Sunday, November 23, 2014

Box Office: 'Mockingjay' Hits a Bullseye with $275M Worldwide Debut



1. The Hunger Games: Mockingjay part 1- $123M
It may have become a bit too easy to brush off The Hunger Games as just another YA franchise, but those who do are missing the historical significance of what it is accomplishing. The third film Mockingjay, the first of the two-part finale, opened this weekend with $123M. Now while that's lower than the $152M of The Hunger Games and the $158M of 'Catching Fire', the amazing thing is that we're talking about three $100M+ debuts in a row. No other franchise in history has accomplished that, which is pretty amazing. To show just how wide and deep the audience for these movies is, Mockingjay blew up overseas with an additional $152M giving it $275M globally. With a start like that we could be looking at the one film left on the calendar with a shot at surpassing Guardians of the Galaxy.
2. Big Hero 6- $20M/$135.7M
3. Interstellar- $15.1M/$120.6M
4. Dumb and Dumber To- $13.8M/$57.4M
Nostalgia can only stretch so far, and in the case of Dumb and Dumber To it couldn't go beyond the first weekend. The Jim Carrey and Jeff Daniels reunion slid 61% and out of first place with $13.8M.
5. Gone Girl- $2.8M/$156.8M
6. Beyond the Lights- $2.6M/$10.1M
7. St. Vincent- $2.3M/$36.6M
8. Fury- $1.9M/$79.1M
9. Birdman- $1.8M/$14.4M
10. Nightcrawler- $1.2M/$27.1M

Sunday, November 16, 2014

Box Office: 'Dumb and Dumber To' Wisens Up to #1 with $38M



1. Dumb and Dumber To- $38.3M
Apparently there was a much stronger contingent of Dumb and Dumber fans than many thought, proving that Universal were the smart ones for going ahead with a sequel 20 years after the fact.  Dumb and Dumber To opened with a robust $38.3M, easily outpacing what many were projecting. The film reunites Jim Carrey and Jeff Daniels as the moronic Harry and Lloyd, and it's interesting to see where both actors are at this stage of their careers. It could be argued they are in opposing places, actually, with Daniels a top dog on The Newsroom and Carrey kind of floundering lately. This is the best opening Carrey has had in years, not since Bruce Almighty in 2003. But this will no doubt give Universal all the ammo they need to push ahead on a third 'Dumber' film if the actors are interested, and of course if the Farrelly Brothers can be convinced to return.
2.Big Hero 6- $36M/$111.6M
Disney's animated superhero film Big Hero 6 held extremely well, slipping only 35% for another $36M. Showing some international might, also, the film has earned $148M worldwide.
3. Interstellar- $29.1M/$97.8M
Also boasting big numbers is Christopher Nolan's Interstellar, which has nearly cracked $100M after two weeks. Worldwide it's doing even better, amassing $233M overall for the $165M feature.
4. Beyond the Lights- $6.5M
Opening in 1700 theaters and off to a good start is Beyond the Lights, from Love & Basketball director Gina Prince-Bythewood. One can't overstate how much a certain segment of people adore Prince-Bythewood's work, and those who waited anxiously for her to release another African-American led romance obviously turned out. Set against the backdrop of the music industry, the film features rising stars Gugu Mbatha-Raw and Nate Parker.
5. Gone Girl- $4.6M/$152.6M
6. St. Vincent- $4M/$33.2M
7. Fury- $3.8M/$75.9M
8. Nightcrawler- $3.03M/$25M
9. Ouija- $3.02M/$48.1M
10. Birdman- $2.4M/$11.5M

Jon Stewart's directorial debut Rosewater opened in semi-wide release with $1.2M, pretty middling for a film largely fronted by The Daily Show host.

Friday, November 14, 2014

Interview: Gina Prince-Bythewood and Nate Parker Talk 'Beyond the Lights'



In 2000 Gina Prince-Bythewood gave us one of the great modern love stories in Love & Basketball, a film that starred two up and coming African-American actors in Sanaa Lathan and Omar Epps. It took eight years before her next feature, The Secret Life of Bees, but what her fans had really been aching for was another insightful, passionate romance, and the wait is finally over with this weekend's release of Beyond the Lights.

Starring Gugu Mbatha-Raw, who earned rave reviews earlier this year for Belle, and Nate Parker who has been great in everything from The Great Debaters to Ain't them Bodies Saints, the film is set against the backdrop of the music industry, following the romance that brews between a troubled singer and a protective LA cop. With my Addicted to Film colleague Tim Gordon, I had the chance to speak with Prince-Bythewood and Parker about the long wait between her movies, the difficulty in getting studios to support romance films with African-American stars, and much more.  You can check out my review of Beyond the Lights here, and watch the interview below!


Interview: Gina Prince-Bythewood & Nate Parker of 'Beyond the Lights' by Punch Drunk Critics

Thursday, November 13, 2014

Review: 'Beyond the Lights' starring Gugu Mbatha-Raw and Nate Parker



Fourteen years ago Gina Prince-Bythewood delivered one of the best modern romances featuring African-American stars in Love & Basketball. The film established her as a filmmaker willing to take a hard line with her characters; to show the complexities in them, both the good and bad, set inside an insular world few of us are familiar with. That she was able to make a film about a black relationship that wasn't just about their blackness was refreshing then and is just as much now with Beyond the Lights, a steamy, passionate romance set in the not-so-glitzy world of showbiz.

What? I know you're shocked that being famous isn't all it's cracked up to be. That story has been trotted out on the silver screen so often it deserves a genre to itself. So at least in one regard Beyond the Lights is a little familiar, but the execution of it, thanks to Prince-Bythewood and her two magnetic stars are what elevate the material. Gugu Mbatha-Raw, so impressive earlier this year in Belle, does a complete 180 as Noni, a biracial pop music superstar raised on the hard-scrabble streets of England by her fame-seeking mom (Minnie Driver). Quick as lightning she's gone from having nothing to having everything; paparazzi following her every move, a super-hot rapper boyfriend, and a debut album on the way expected to sell millions. But being an auto tuned pop starlet isn't who Noni wants to be. There's so much more she has to offer if only someone would "see" her. Fortunately, stoic and handsome LAPD cop Kaz Nicol (Nate Parker) does see Noni throwing herself off a balcony in a drunken fit of depression. Saving her and showing far more concern for her than mommy dearest, Noni decides she wants to keep Kaz around for a little while as her personal bodyguard. Yes, this is basically A Star is Born mixed with The Bodyguard, but you won't have to worry about any lame serial killer subplots getting in the way of passionate embraces.

The nuts and bolts we recognize, but Prince-Bythewood uses the premise to explore issues of race, sexuality, and identity, in particular for women who find themselves in the public spotlight. While her intensely sexual public persona is what sells records and keeps mom happy, in private Noni sees herself as Nina Simone, one of the most fiercely independent African-American singers of her time. At the same time Kaz is dealing with his own identity issues, squabbling with his father (Danny Glover) who thinks kickin' it with a saucy pop star is no way to launch a political career. But is that what Kaz really wants? Both lost in the expectations of others, it's no surprise when Kaz and Noni become lovers, defiantly fighting for a chance to just be themselves. One of the things that made Love & Basketball work so well and is recaptured here is that despite all of the ups and downs these lovers endure, there is a fundamental respect between them. Kaz and Noni push one another to be their best, even without realizing it. It's rare to find a filmmaker who can make both a great date night movie that is also a nuanced critique on anything, but Prince-Bythewood is one of those who do it with ease. She gets plenty of support by Parker and Mbatha-Raw, who smolder in their scenes together. I've been saying for years that Parker is the next Denzel Washington; he's got the kind of presence that is undeniable, powerful and instantly commanding. Mbatha-Raw takes what could have been a "woe is me" role and brings real gravitas to it. Tasked with basically playing two characters: the stage "Noni" and the genuine, unglamorous Noni, Mbatha-Raw excels and both and makes us believe someone like Kaz could love her.

While the use of Nina Simone's "Blackbird" (also the film's original title) is overdone and Prince-Bythewood doesn't dig into the gender politics of fame deeply enough, Beyond the Lights is an impassioned film about being true to oneself, in career and in love. 
 Rating: 3.5 out of 5

Tuesday, November 11, 2014

Free Advance Screening of 'Beyond the Lights'


We're offering our readers a chance to attend tomorrow night's advance screening of Beyond the Lights, the passionate romance from Love & Basketball director, Gina Prince-Bythewood. Starring Gugu Mbatha-Raw (Belle) and Nate Parker (Red Tails), the story follows the romance between a pop music superstar and the LAPD officer who saves her life.

The screening takes place on Wednesday, November 12th at 7:00pm at AMC Georgetown. If you're interested in attending, simply go to the Relativity site here and download one Admit-Two pass. Please keep in mind that having passes does not guarantee entry as all screenings are first come, first served. Enjoy the show!

Beyond the Lights opens Nov. 14th.

Monday, August 11, 2014

Nate Parker and Gugu Mbatha-Raw go 'Beyond the Lights' in New Trailer



Hard to believe it has been fourteen years since Gina Prince-Blythewood directed Love & Basketball, a film many (like myself) look at as part of a particularly strong wave of African-American cinema. She's been pretty quiet since then, at least on the big screen, with her last movie the 2008 adaptation of The Secret Life of Bees which was about as enjoyable as a bee sting. But now she's back and boasting another gorgeous cast with Beyond the Lights, a film that finds romance within the music industry.

Gugu Mbatha-Raw, coming off an acclaimed performance in Belle, stars as Noni Jean, an award-winning singer succumbing to the pressures of fame. But just as she's on the verge of a breakdown she's rescued by the relationship she forges with Kaz (Nate Parker), a police officer who "sees her" for who she really is. It basically looks like somebody wanted to remake The Bodyguard without being obvious about it, but the cast, which includes Minnie Driver and Danny Glover, is strong enough to warrant this a little bit of attention.

Beyond the Lights opens November 14th.


Beyond The Lights Official Trailer #2 (2014) - Gugu Mbatha-Raw, Minnie Driver Movie HD by MovieTampan