The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label Dear White People. Show all posts
Showing posts with label Dear White People. Show all posts

Wednesday, December 17, 2014

'Selma', 'Dear White People' Lead 15th Annual Black Reel Awards Nominations


The Black Reel Awards, of which I am a voting member and is run by my good friend +Tim Gordon, have announced their nominees honoring the best in African-American cinema and TV for 2014. Leading the way with 10 nominations apiece were Ava DuVernay's stirring Martin Luther King Jr. biopic, Selma; along with Justin Simien's debut feature, the racial satire Dear White People. Both DuVernay and Simien were nominated for Outstanding Director, joined by Chris Rock for Top Five, Gina Prince-Bythewood for Beyond the Lights, and Amma Asante for Belle.

Besides the strong showings by Dear White People and Selma, the greatest individual honors belongs to breakout star Gugu Mbatha-Raw who must compete against herself in the Outstanding Actress category for her performances in Belle and Beyond the Lights. She's joined in the race by Tessa Thompson for Dear White People, Quvenzhane Wallis for Annie, and Top Five's Rosario Dawson. Chadwick Boseman enters the Outstanding Actor field once again, this time for his role as James Brown in Get On Up. Others in the category include Chris Rock for Top Five, Denzel Washington's brutal turn in The Equalizer, Nate Parker for Beyond the Lights, and David Oyelowo for Selma.

The full list of nominations is below. The Black Reel Awards will be announced on February 22nd.

Outstanding Motion Picture
  • Belle | Damian Jones (Fox Searchlight)
  • Beyond the Lights | Stephanie Allain, Amar’e Stoudamire, Reggie Rock Bythewood & Ryan Kavanaugh (Relativity Media)
  • Dear White People | Justin Simien, Angel Lopez, Lena Waithe, Ann Le, Effie Brown & Julia Lebedev (Lionsgate/ Roadside Attractions)
  • Selma | Oprah Winfrey, Dede Gardner, Jeremy Kleiner & Christian Colson (Paramount)
  • Top Five | Scott Rudin & Eli Bush (Paramount)
Outstanding Actor, Motion Picture
  • Chadwick Boseman | Get on Up (Universal Pictures)
  • David Oyelowo | Selma (Paramount)
  • Nate Parker | Beyond the Lights (Relativity Media)
  • Chris Rock | Top Five (Paramount)
  • Denzel Washington | The Equalizer (Columbia Pictures)
Outstanding Actress, Motion Picture
  • Rosario Dawson | Top Five (Paramount)
  • Gugu Mbatha-Raw | Belle (Fox Searchlight)
  • Gugu Mbatha-Raw | Beyond the Lights (Relativity Media)
  • Tessa Thompson | Dear White People (Lionsgate/ Roadside Attractions)
  • Quvenzhane Wallis | Annie (Columbia Pictures)
Outstanding Supporting Actor, Motion Picture
  • Nelsan Ellis | Get On Up (Universal)
  • David Oyelowo | A Most Violent Year (A24)
  • Tyler Perry | Gone Girl (20th Century Fox)
  • Wendell Pierce | Selma (Paramount)
  • Michael K. Williams | The Gambler (Paramount)
Outstanding Supporting Actress, Motion Picture
  • Viola Davis | The Disappearance of Eleanor Rigby (The Weinstein Company)
  • Carmen Ejogo | Selma (Paramount)
  • Teyonah Parris | Dear White People (Lionsgate / Roadside Attractions)
  • Zoe Saldana | Guardians of the Galaxy (Walt Disney Studios Motion Pictures)
  • Octavia Spencer | Snowpiercer (The Weinstein Company)
Outstanding Director, Motion Picture
  • Amma Asante | Belle (Fox Searchlight)
  • Gina Prince-Bythewood | Beyond the Lights (Relativity Media)
  • Ava DuVernay | Selma (Paramount)
  • Chris Rock | Top Five (Paramount)
  • Justin Simien | Dear White People (Lionsgate / Roadside Attractions)
Outstanding Screenplay (Original or Adapted), Motion Picture
  • Gina Prince-Bythewood | Beyond the Lights (Relativity Media)
  • John Ridley | Jimi: All is by My Side (XLrator Media/ Open Road Films)
  • Chris Rock | Top Five (Paramount)
  • Misan Sagay | Belle (Fox Searchlight)
  • Justin Simien | Dear White People (Lionsgate / Roadside Attractions)
Outstanding Documentary
  • Anita: Speaking Truth to the Power | Freida Lee Mock (Samuel Goldwyn)
  • I Am Ali | Clare Lewins (Focus World)
  • Keep on Keepin’ On | Alan Hicks (Radius-TWC)
  • Time is Illmatic | One9 (Tribeca Film)
  • Virunga | Orlando von Einsiedel (Netflix)
Outstanding Ensemble (Awarded to Casting Directors)
  • Belle | Toby Whale (Fox Searchlight)
  • Dear White People | Kim Coleman (Lionsgate/ Roadside Attractions)
  • Get On Up | Kerry Barden & Paul Schnee (Universal)
  • Selma | Aisha Coley (Paramount)
  • Top Five | Victoria Thomas (Paramount)
Outstanding Foreign Film
  • Difret (Ethiopia)| Zeresenay Mehari  (Moving Turtle)
  • The Double! (U.K.) | Richard Ayoade (Magnolia Films)
  • Fishing Without Nets (Kenya) | Cutter Hodierne  (Drafthouse Films)
  • Freedom Road (South Africa) | Shane Vermooten (Media Village Productions)
  • Half of a Yellow Sun (Nigeria) | Biyi Bandele (Monterey Media)
Outstanding Breakthrough Performance, Male
  • Brandon Bell | Dear White People (Lionsgate/ Roadside Attractions)
  • David Gyasi | Interstellar (Paramount)
  • Andre Holland | Selma (Paramount)
  • Stephan James | Selma (Paramount)
  • Tyler James Williams | Dear White People (Lionsgate/ Roadside Attractions
Outstanding Breakthrough Performance, Female
  • Jillian Estell| Black or White (Relativity Media)
  • Patina Miller | The Hunger Games: Mockingjay-Part 1 (Lionsgate)
  • Teyonah Parris | Dear White People (Lionsgate / Roadside Attractions)
  • Amber Stevens | 22 Jump Street (Columbia/ MGM)
  • Kuoth Wiel | The Good Lie (Warner Bros.)
Outstanding Voice Performance
  • Vin Diesel | Guardians of the Galaxy (Walt Disney Studios Motion Pictures)
  • Morgan Freeman | The LEGO Movie (Warner Bros. Pictures)
  • Maya Rudolph | Big Hero 6 (Walt Disney Studios Motion Pictures)
  • Zoe Saldana | The Book of Life (20th Century Fox)
  • Damon Wayans Jr. | Big Hero 6 (Walt Disney Studios Motion Pictures)
MUSIC
Outstanding Score
  • Terence Blanchard | Black or White (Relativity Media)
  • Kathryn Bostic | Dear White People (Lionsgate/ Roadside Attractions)
  • Danny Bramson & Waddy Wachtel | Jimi: All is by My Side (XLrator Media/ Open Road Films)
  • Mask Isham | Beyond the Lights (Relativity Media)
  • Jason Moran | Selma (Paramount)
Outstanding Original Song
  • “It Ain’t Easy” from Top Five | Written & Performed by: Questlove & Elza Colby (Paramount)
  • “It’s On Again” from The Amazing Spider-Man 2| Performed by: Alicia Keys & Kendrick Lamar; Written by: Alicia Keys, Pharrell Williams, Hans Zimmer & Kendrick Lamar (Sony Pictures)
  • “Glory” from Selma | Performed by: John Legend & Common; Written by: John Legend, Common & Che Smith (Paramount)
  • “Grateful” from Beyond the Lights | Performed by: Rita Ora; Written by: Diane Warren (Relativity Media)
  • “What is Love” from Rio 2 | Performed by: Janelle Monae; Written by: Janelle Monae, Nathaniel Irvin III and Roman Irvin (20th Century Fox)
INDEPENDENT
Outstanding Independent Feature
  • 1982 | Tommy Oliver
  • Christmas Wedding Baby | Kiara C. Jones
  • CRU | Alton Glass
  • The Retrieval | Chris Eska (Variance Films)
  • Una Vida: A Fable of Music and the Mind | Richie Adams
Outstanding Independent Documentary
  • 25 to Life | Mike Brown (AAFRM)
  • Evolution of a Criminal | Darius Clark Monroe
  • Let the Fire Burn | Jason Osder
  • Oscar Micheaux: The Czar of Black Hollywood | Bayer Mack
  • Through a Lens Darkly: Black Photographers and the Emergence of a People | Thomas Allen Harris
Outstanding Independent Short
  • #AmeriCan | Nate Parker
  • Muted | Rachel Goldberg
  • The Voodoo | Steven Alexander
TELEVISION
Outstanding Television Documentary or Special
  • Finding the Funk | Nelson George (VH1)
  • Mr. Dynamite: The Rise of James Brown | Alex Gibney (HBO)
  • On the Run Tour: Jay-Z & Beyonce | Jonas Akerlund (HBO)
  • The Tanning of America: One Nation Under Hip-Hop | Billy Corben & Alfred Spellman (VH1)
  • Terror at the Mall | Dan Reed (HBO)
Outstanding TV Movie or Mini-Series
  • A Day Late and a Dollar Short | Tom Leonardis, Jeffrey M. Hayes, Bill Haber & Whoopi Goldberg (Lifetime)
  • Gun Hill | Daniel Hank (BET)
  • Rosemary’s Baby | Zoe Saldana, Cisely Saldana, Mariel Saldana, Tom Patricia & Robert Bernacchi (NBC)
  • Seasons of Love | Joshua A. Green, Asger Hussain & Yaron Schwartzman (Lifetime)
  • The Trip to Bountiful | Bill Haber, Cicely Tyson, Hallie Foote & Jeff Hayes (Lifetime)
Outstanding Actor, TV Movie or Mini-Series
  • Charles S. Dutton | Comeback Dad (UP)
  • David Alan Grier | An En Vogue Christmas (Lifetime)
  • Ving Rhames | A Day Late and a Dollar Short (Lifetime)
  • Keith Robinson | Lyfe’s Journey (UP)
  • Larenz Tate | Gun Hill (BET)
Outstanding Actress, TV Movie or Mini-Series
  • Whoopi Goldberg | A Day Late and a Dollar Short (Lifetime)
  • Imani Hakim | The Gabby Douglas Story (Lifetime)
  • Letoya Luckett | Seasons of Love (Lifetime)
  • Zoe Saldana | “Rosemary’s Baby” (NBC)
  • Cicely Tyson | The Trip to Bountiful (Lifetime)
Outstanding Supporting Actor, TV Movie or Mini-Series
  • Richard T. Jones | Lyfe’s Journey (UP)
  • Harry Lennix | The Fright Night Files (TVOne)
  • Mekhi Phifer | A Day Late and a Dollar Short (Lifetime)
  • Blair Underwood | The Trip to Bountiful (Lifetime)
  • Bokeem Woodbine | The Fright Night Files (TVOne)
Outstanding Supporting Actress, TV Movie or Mini-Series
  • Tichina Arnold | A Day Late and a Dollar Short (Lifetime)
  • Kimberly Elise | A Day Late and a Dollar Short (Lifetime)
  • Aisha Hinds | Gun Hill (BET)
  • Anika Noni Rose | A Day Late and a Dollar Short (Lifetime)
  • Vanessa L. Williams | The Trip to Bountiful (Lifetime)
Outstanding Director, TV Movie or Mini-Series
  • Reggie Rock Bythewood | Gun Hill (BET)
  • Stan Foster | My Other Mother (UP)
  • Princess Monique | Seasons of Love (Lifetime)
  • Russ Parr & R.L. Scott | The Fright Night Files (TVOne)
  • Ryan Richmond | Lyfe’s Journey (UP)
Outstanding Writing, TV Movie or Mini-Series
  • Reggie Rock Bythewood | Gun Hill (BET)
  • Shernold Edwards | A Day Late and a Dollar Short (Lifetime)
  • Dayna Lynne North | An En Vogue Christmas (Lifetime)
  • Peres Owino & Sharon Brathwaite-Sanders | Seasons of Love (Lifetime)
  • Kimberly Walker | Comeback Dad (UP)

Tuesday, November 25, 2014

'Birdman' Tops Indie Spirit Awards Nominations with Six



Okay, so the term "independent feature" has lost a lot of its meaning lately as budgets for art house movies continue to expand, but the Independent Spirit Awards are still a big deal and the first major nominations of the season. Are you ready to open the flood gates? Here we go.

The Indie Spirit Awards announced their full list of contenders for their 2015 show, and leading the way with six nominations is Alejandro Gonzalez Inarritu's meta-comedy Birdman, including Best Feature, Best Actor for Michael Keaton, Best Supporting Male for Edward Norton, Best Cinematography, and Best Supporting Female for Emma Stone. In a major surprise considering nobody saw Kumiko the Treasure Hunter (I did, and loved it), Rinko Kikuchi earned a Best Female Lead nomination, along with Jenny Slate for Obvious Child, Marion Cotillard for The Immigrant, Tilda Swinton for Only Lovers Left Alive, and Julianne Moore for Still Alice. Picking up five nominations are Richard Linklater's Boyhood, Ava Duvernay's Selma, and Nightcrawler starring Jake Gyllenhaal.

In a move that has me utterly baffled and I suspect was done only so he might appear on stage, Andre Benjamin earned Best Male Lead nomination for his sleepy performance as Jimi Hendrix in Jimi: All is by My Side. He'll go up against David Oyelowo for Selma, Gyllenhaal for Nightcrawler, Keaton for Birdman, and John Lithgow for Love is Strange.

Today is a big day for debut writer/director Justin Simien whose race-based comedy Dear White People earned him a Best First Feature and Best First Screenplay nomination. Also performing well with four nods was Damien Chazelle's crowd-pleasing jazz drumming thriller Whiplash, including one for Best Director and another for J.K. Simmons as Best Supporting Male. Paul Thomas Anderson's Inherent Vice will be honored with the Robert Altman Award, while Bennett Miller's Foxcatcher will be presented with the Special Distinction Award.

Full list of nominees is below. The Indie Spirit Awards takes place on Saturday, February 21st.

BEST FEATURE
(Award given to the Producer. Executive Producers are not awarded.)
Birdman or (The Unexpected Virtue of Ignorance)
Producers: Alejandro G. IĂ±Ă¡rritu, John Lesher, Arnon Milchan, James W. Skotchdopole
Boyhood
Producers: Richard Linklater, Jonathan Sehring, John Sloss, Cathleen Sutherland
Love is Strange
Producers: Lucas Joaquin, Lars Knudsen, Ira Sachs, Jayne Baron Sherman, Jay Van Hoy
Selma
Producers: Christian Colson, Dede Gardner, Jeremy Kleiner, Oprah Winfrey
Whiplash
Producers: Jason Blum, Helen Estabrook, David Lancaster, Michael Litvak

BEST DIRECTOR
Damien Chazelle
Whiplash
Ava DuVernay
Selma
Alejandro G. IĂ±Ă¡rritu
Birdman or (The Unexpected Virtue of Ignorance)
Richard Linklater
Boyhood
David Zellner
Kumiko, The Treasure Hunter

BEST SCREENPLAY
Scott Alexander & Larry Karaszewski
Big Eyes
J.C. Chandor
A Most Violent Year
Dan Gilroy
Nightcrawler
Jim Jarmusch
Only Lovers Left Alive
Ira Sachs & Mauricio Zacharias
Love is Strange

BEST FIRST FEATURE (Award given to the director and producer)
A Girl Walks Home Alone at Night
Director: Ana Lily Amirpour
Producers: Justin Begnaud, Sina Sayyah
Dear White People
Director/Producer: Justin Simien
Producers: Effie T. Brown, Ann Le, Julia Lebedev, Angel Lopez, Lena Waithe
Nightcrawler
Director: Dan Gilroy
Producers: Jennifer Fox, Tony Gilroy, Jake Gyllenhaal, David Lancaster, Michel Litvak
Obvious Child
Director: Gillian Robespierre
Producer: Elisabeth Holm
She’s Lost Control
Director/Producer: Anja Marquardt
Producers: Mollye Asher, Kiara C. Jones

BEST FIRST SCREENPLAY
Desiree Akhavan
Appropriate Behavior
Sara Colangelo
Little Accidents
Justin Lader
The One I Love
Anja Marquardt
She’s Lost Control
Justin Simien
Dear White People

JOHN CASSAVETES AWARD – Given to the best feature made for under $500,000. Award given to the writer, director and producer. Executive Producers are not awarded.
Blue Ruin
Writer/Director: Jeremy Saulnier
Producers: Richard Peete, Vincent Savino, Anish Savjani
It Felt Like Love
Writer/Director/Producer: Eliza Hittman
Producers: Shrihari Sathe, Laura Wagner
Land Ho!
Writers/Directors: Aaron Katz & Martha Stephens
Producers: Christina Jennings, Mynette Louie, Sara Murphy
Man From Reno
Writer/Director: Dave Boyle
Writers: Joel Clark, Michael Lerman
Producer: Ko Mori
Test
Writer/Director/Producer: Chris Mason Johnson
Producer: Chris Martin

BEST FEMALE LEAD
Marion Cotillard
The Immigrant
Rinko Kikuchi
Kumiko, The Treasure Hunter
Julianne Moore
Still Alice
Jenny Slate
Obvious Child
Tilda Swinton
Only Lovers Left Alive

BEST MALE LEAD
André Benjamin
Jimi: All Is By My Side
Jake Gyllenhaal
Nightcrawler
Michael Keaton
Birdman or (The Unexpected Virtue of Ignorance)John Lithgow
Love is Strange
David Oyelowo
Selma

BEST SUPPORTING FEMALE
Patricia Arquette
Boyhood
Jessica Chastain
A Most Violent Year
Carmen Ejogo
Selma
Andrea Suarez Paz
Stand Clear of the Closing Doors
Emma Stone
Birdman or (The Unexpected Virtue of Ignorance)

BEST SUPPORTING MALE
Riz Ahmed
Nightcrawler
Ethan Hawke
Boyhood
Alfred Molina
Love is Strange
Edward Norton
Birdman or (The Unexpected Virtue of Ignorance)
J.K. Simmons
Whiplash

BEST CINEMATOGRAPHY
Darius Khondji
The Immigrant
Emmanuel Lubezki
Birdman or (The Unexpected Virtue of Ignorance)
Sean Porter
It Felt Like Love
Lyle Vincent
A Girl Walks Home Alone at Night
Bradford Young
Selma

BEST EDITING
Sandra Adair
Boyhood
Tom Cross
Whiplash
John Gilroy
Nightcrawler
Ron Patane
A Most Violent Year
Adam Wingard
The Guest

BEST DOCUMENTARY (Award given to the director and producer)
20,000 Days on Earth
Directors: Iain Forsyth & Jane Pollard
Producers: Dan Bowen, James Wilson
CITIZENFOUR
Director/Producer: Laura Poitras
Producers: Mathilde Bonnefoy, Dirk Wilutzky
Stray Dog
Director: Debra Granik
Producer: Anne Rosellini
The Salt of the Earth
Directors: Juliano Ribeiro Salgado and Wim Wenders
Producer: David Rosier
Virunga
Director/Producer: Orlando von Einsiedel
Producer: Joanna Natasegara

BEST INTERNATIONAL FILM (Award given to the director)
Force Majeure
(Sweden)
Director: Ruben Ă–stlund
Ida
(Poland)
Director: Pawel Pawlikowski
Leviathan
(Russia)
Director: Andrey Zvyagintsev
Mommy
(Canada)
Director: Xavier Dolan
Norte, the End of History
(Philippines)
Director: Lav Diaz
Under the Skin
(United Kingdom)
Director: Jonathan Glazer

ROBERT ALTMAN AWARD – (Given to one film’s director, casting director and ensemble cast)
Inherent Vice
Director: Paul Thomas Anderson
Casting Director: Cassandra Kulukundis
Ensemble Cast: Josh Brolin, Martin Donovan, Jena Malone, Joanna Newsom, Joaquin Phoenix, Eric Roberts, Maya Rudolph, Martin Short Serena Scott Thomas, Benicio Del Toro, Katherine Waterston, Michael Kenneth Williams, Owen Wilson, Reese Witherspoon

SPECIAL DISTINCTION AWARD
Foxcatcher
Director/Producer: Bennett Miller
Producers: Anthony Bregman, Megan Ellison, Jon Kilik
Writers: E. Max Frye, Dan Futterman
Actors: Steve Carell, Mark Ruffalo, Channing Tatum

18th ANNUAL PIAGET PRODUCERS AWARD – The 18th annual Producers Award, sponsored by Piaget, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget.
Chad Burris
Elisabeth Holm
Chris Ohlson

21st ANNUAL KIEHL’S SOMEONE TO WATCH AWARD – The 21st annual Someone to Watch Award, sponsored by Kiehl’s Since 1851, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant funded by Kiehl’s Since 1851.
A Girl Walks Home Alone at Night
Director: Ana Lily Amirpour
H.
Directors: Rania Attieh & Daniel Garcia
The Retrieval
Director: Chris Eska

20th ANNUAL LENSCRAFTERS TRUER THAN FICTION AWARD
– The 20th annual Truer Than Fiction Award, sponsored by LensCrafters is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant funded by LensCrafters.
Approaching the Elephant
Director: Amanda Rose Wilder
Evolution of a Criminal
Director: Darius Clark Monroe
The Kill Team
Director: Dan Krauss
The Last Season
Director: Sara Dosa

Sunday, October 19, 2014

Box Office: 'Fury' Steamrolls to #1 with $23.5M; 'Dear White People, 'Birdman' Both Open Strong


1. Fury- $23.5M
When was the last time we had a big Hollywood war movie? It's been awhile, and apparently audiences were eager to see Brad Pitt in an R-rated war flick like Fury, as the film opened with $23.5M, basically hitting all the projections. While the $68M movie was largely sold on Brad Pitt back on a war footing for the first time since Inglourious Basterds, the strong debut is also a feather in the cap of David Ayer, the director best known for cop dramas like End of Watch and Sabotage. As he pushes ahead to direct the DC Comics adaptation Suicide Squad, this should go a long way in establishing him as a director capable of painting on a larger canvas.
2. Gone Girl- $17.8M/$107M
Another solid hold for David Fincher's Gone Girl, moving past the $100M in week 3 and totally $181M worldwide. And just as it hurt the chances of success for The Judge last week, I think it may have done the same to The Best of Me's debut. More on that later.
3. The Book of Life- $17M
For my money the best animated film of the year, 20th Century Fox's Latin-themed The Book of Life opened strong with $17M. The $50M film had the backing of producer Guillermo Del Toro, and a number of popular celebrity voices in Channing Tatum, Zoe Saldana, Ice Cube, and Diego Luna, along with many popular Mexican entertainers. It's been a strong year for movies geared at Latin audiences and The Book of Life is just the latest example, but it also saw benefit from an ad campaign that emphasized how different it was from the familiar projects by other studios. Sometimes audiences do reward movies that dare to be different.
4. Alexander and the Terrible, Horrible, No Good, Very Bad Day- $12M/$36.8M
5. The Best of Me- $10.2M
Opening with a scant $10.2M was The Best of Me, the latest melodramatic romance adaptation of a Nicholas Sparks novel. This is actually the ninth film based on the author's work, and it's also the lowest-debuting of the bunch, which hopefully means people are getting tired of them because they're all telling the same story but with different white people. And yeah, that is a factor in today's multicultural society where diversity is seen as a virtue; Sparks' films seem antiquated by comparison. I hesitate to blame stars Michelle Monaghan and James Marsden because Sparks adaptations have never needed big stars to be a hit. Josh Duhamel and Julianne Hough starred in Safe Haven and that nearly broke $100M. The bigger problem may be competition, with Gone Girl locking down much of the "date night" audience. Whether this is the start of a trend we'll find out soon enough because two Sparks adaptations are on the way in The Longest Ride and The Choice, both with essentially the same plot. Ugh.
6. Dracula Untold- $9.8M/$40.7M
7. The Judge- $7.94M/$26.8M
8. Annabelle- $7.92M/$74.1M
9. The Equalizer- $5.4M/$89.1M
10. The Maze Runner- $4.5M/$90.8M

Opening in limited release were two of this season's most anticipated films. Alejandro Gonzalez Inarritu's meta-comedy Birdman opened in four theaters and banked $415K, while Justin Simien's satire on race, Dear White People, made $344K at only 11 locations. Not bad for both, and they'll likely keep up the pace upon expansion in the next few weeks.

Thursday, October 16, 2014

Interview: 'Dear White People' Director Justin Simien Talks Racism, Comparisons to Spike Lee, and More


No other film has inspired more questions to me from friends, family, and casual moviegoers this year than Justin Simien's debut feature, Dear White People. Even before I saw it at the Sundance Film Festival premiere, there had been a growing buzz about the comedy with the provocative, in-your-face title, and that hasn't subsided in the least. The film, which takes place at a fictional elite university where race relations are at a boiling point, presents a satirical look at racism in the Obama era. It comes at an interesting time when when universities are seeing an explosion of these "hip-hop parties" with white people decked out in blackface and perpetuating black stereotypes. It comes at a time when we have politicians using code words as cover for their racist policies.

In short, Dear White People couldn't come at a better time, and it promises to spark a discussion on the issue of race in the same way the early films of Spike Lee did. Along with Tim Gordon, I had a chance to talk with Simien about those comparisons to Lee, his thoughts on racism and prejudice he's personally faced as a gay black man, and much more. You can check out my Dear White People review here, and listen to the interview below.

Wednesday, October 15, 2014

Review: Witty and Unfocused 'Dear White People' starring Tessa Thompson and Dennis Haysbert


NOTE: This is an edited reprint of my review from the Sundance Film Festival. Dear White People opens Oct. 17th.

How many times have you heard some fool say "We have a black President so racism must be over"? How many stories have we seen in just the last couple of years about white people throwing black-themed parties full of insulting racial stereotypes? No other film came with more pre-festival buzz than Justin Simien's debut feature, Dear White People, particularly amongst the black community expecting a blistering new voice similar to a Spike Lee. There's no doubt Simien has a lot to say about race relations in a supposedly post-racial America, but a lack of focus on the core issues and a ponderous script muddle any message to today's young black generation.

A wannabe taking many of its cues from Spike Lee's School Daze, the film aims to be a scathing, satirical examination of race relations in the Obama era, set against the backdrop of a posh Ivy League university. A heightened aggression permeates the grounds of fictional Winchester University; think Higher Learning meets P.C.U.; thanks to a new randomized housing policy that threatens the predominantly black Armstrong-Parker House. Samantha (a ferocious Tessa Thompson), is a "black power" radical stoking the fires with a controversial radio show called "Dear White People". It's there that she throttles up the tension with quippy verbal put-downs like "Dear white people, the amount of black friends required not to seem racist has just been raised to two.", or "Dear white people, dating a black person just to piss off your parents is a form of racism.” An over-crowded cast of characters represent all sides of black society, which much like School Daze are constantly at war. The antithesis of the militant Sam is rich kid Troy (Brandon P. Bell), the classic non-threatening black guy who tries to be friends with all sides. He's the president of Armstrong/Parker and seeks to make his father (Dennis Haysbert) happy by climbing the social ladder and maintaining a relationship with his white girlfriend. There's also aspiring reality star Coco (Teyonah Parris), a weave-wearing fame seeker looking to hook up with the white trust-fund kids, and squash Sam in an effort to get more followers for her YouTube show. All of this is seen through the eyes of gay journalist Lionel (Tyler James Williams), a true outsider amongst perceived outsiders who can't find a place where he and his giant afro can fit in.

Simien's script is at its funniest when at its most confrontational, touching on a number of keen, pointed observations on the subtleties of racism. Tackling issues of prejudice in politics, affirmative action, and the abundance of insulting Tyler Perry movies. The megaphone for most of this is Sam, who struggles with identity while hiding behind an Angela Davis attitude in an effort to please her followers. Through her the film touches upon casual racism perpetrated by unaware whites who think they are being open-minded when they say "You're only technically black!" to someone who doesn't fit the stereotype. A highlight has Sam finding racism in the movie Gremlins; breaking it down as white fear of blacks invading suburban America (the gremlins talk slang, are addicted to chicken, and get upset when their hair is wet).

The problem with Dear White People has nothing to do with the content, which tackles a number of hot-button topics and presents a diverse swath of African-Americans that we rarely see on the big screen. To the film's credit, it's not just an angry screed against white people, and all sides are shown to have their flaws and prejudices. In his debut feature, Simien puts all of his eggs into one basket when a complicated film such as this requires a narrower focus. While the dialogue often comes off as too clever by half and self-congratulatory, the real issue is that the film is unwieldy with stagnant subplots. Troy's attempts to get in good with an arrogant white faction aren’t resolved satisfactorily, and another involving his father's feud with the university president goes nowhere. Perhaps most disappointing of all is the treatment of Lionel, whose sexual/racial confusion feels like an afterthought, even though his character best embodies Simien's central point that nobody fits neatly into any one label.

Dear White People doesn't quite have the same blend of fire and insight as Lee's early work, but it's bold enough to ask the tough questions and make you laugh at the answers.

 Rating: 3 out of 5

Wednesday, October 8, 2014

Hilarious Red Band Trailer, Clips, and Promos for 'Dear White People'


Let's be honest, racism is never going away, and there's nothing funny about some of the racially-charged stories that have been in the news lately. But there is plenty of humor to be found in the way people stereotype others and pretend racism doesn't exist in the Obama era. Basically, Justin Simien's debut feature Dear White People tears apart the myth of post-racial America and does it in hilarious and perceptive fashion, as seen in this new red band trailer.

Starring Tyler James Williams, Tessa Thompson, Teyonah Parris, Brandon P. Bell, Kyle Gallner, Dennis Haysbert and more, the film centers on the uproar caused at a predominantly white university over two things: a controversial radio program titled 'Dear White People', and a campus "hip-hop" party featuring some incredibly offensive black stereotypes. It's a film I enjoyed at Sundance, although perhaps not as much as some others. One thing for sure is that Dear White People is going to turn some heads when it opens on October 17th. Check out the trailer and a clip below, followed by some hilarious promos done in the style of those cheesy "The More You Know" promos NBC used to run during commercial breaks.




Dear White People Movie CLIP - Black People Can't Be Racist (2014) - Comedy HD by MovieTampan























Tuesday, July 22, 2014

New Trailer for Racial Satire 'Dear White People'


Earning comparisons to Spike Lee's college-set racial satire School Daze (my favorite Lee film), Justin Simien's Dear White People was the most talked about movie to emerge at Sundance. And for good reason as the film is guaranteed to ruffle a few feathers, just as the bombastic title suggests it would. With a release date right around the corner and coming off a well-received teaser, a full trailer has been released to show why so many are high on Dear White People as a sleeper hit.

Starring Tyler James Williams, Tessa Thompson, Teyonah Parris, Brandon P. Bell, Kyle Gallner, and Dennis Haysbert, the story takes place at the fictional Westchester University, where the fiery rabble-rousing host of a controversial radio show titled "Dear White People" is stirring up all types of racial animus. When the white students host a racist party where they all dress up as their favorite black stereotypes, the powder keg is set to explode and consume everybody. The trailer does a good job of showing off Simien's sharp wit and the film does take a biting look at modern racism (especially the use of "code words" to hide it), but I had issues with the story's overall lack of focus.

Dear White People opens October 17th.

Thursday, June 19, 2014

First Trailer for Sundance Hit 'Dear White People' Rips Hollywood Movies



There was never any doubt that Justin Simien's debut feature, Dear White People, was going to make a splash at this year's Sundance Film Festival. How could it not with a title like that and a promo image of Tyler James Williams (Everybody Hates Chris) decked out with an afro that would make Angela Davis feel inadequate. And the film certainly did turn heads, earning Simien the Jury Prize for Breakout Talent and a distribution deal for this fall. But will audiences take to his brand of biting racial and social commentary?

The first trailer has arrived and they are pulling absolutely no punches on this one. "In the tradition of The Help, The Blind Side, and The Butler' it begins before the African-American students (led by Tessa Thompson) at a mostly-white university start ripping on the racism of Hollywood movies. But there's a lot more Simien and his talented cast are attempting to say about the nature of race relations in the Obama era, although as I noted in my review from Park City, it "often comes off as too clever by half and self-congratulatory" while being burdened by stagnant subplots.

Also starring Tessa Thompson, Teyonah Parris, Brandon P. Bell, Kyle Gallner, Malcolm Barrett, Brittany Curran, Marque Richardson, and Dennis Haysbert, Dear White People opens October 17th.

Wednesday, March 19, 2014

Sundance Hit 'Dear White People' Acquired by Lionsgate and Roadside Attractions


I don't usually post about distribution deals here, but Dear White People is a special case. Undoubtedly the most buzzed-about film before Sundance, it maintained that title after the provocative, racially-charged comedy began screening. It ultimately earned first-time director Justin Simien the Special Jury Award for Breakthrough Talent and was the toast of the festival, which is why it's surprising it took so long for distribution to be secured.

Lionsgate and Roadside Attractions have picked up the North American rights to the film, which stars Tessa Thompson,  Tyler James Williams, Tessa Thompson, Teyonah Parris and Brandon P Bell. Set in a fictional Ivy League university, an African-American themed party and an inflammatory radio show called "Dear White People" have turned the entire campus into a racial powder keg. It's a film I had more than my share of issues with, mostly with the lack of focus that muddles Simien's timely message. At the same time it has some extremely funny insights on the way the races relate to one another in the era of Barack Obama, and looks at the issue from multiple perspectives.  Simien is a fresh voice with a lot to say, and while comparisons to Spike Lee may be premature (the film loosely resembles School Daze) he's definitely a filmmaker worth watching.

Dear White People will play to two sold-out shows this weekend at New Directors/New Films.

Monday, January 20, 2014

Sundance Review: 'Dear White People'




How many times have you heard some fool say "We have a black President so racism must be over"? How many stories have we seen in just the last couple of years about white people throwing black-themed parties full of insulting racial stereotypes? No other film comes with more pre-festival buzz than Justin Simien's debut feature, Dear White People, particularly amongst the black community expecting a blistering new voice similar to a Spike Lee. There's no doubt Simien has a lot to say about race relations in a supposedly post-racial America, but a lack of focus on the core issues and a ponderous script muddle any message to today's young black generation.

A wannabe taking many of its queues from Spike Lee's School Daze, the film aims to be a scathing, satirical examination of race relations in the Obama era, set against the backdrop of a posh Ivy League university. A heightened aggression permeates the grounds of fictional Winchester University; think Higher Learning meets P.C.U.; thanks to a new randomized housing policy that threatens the predominantly black Armstrong-Parker House. Samantha (a ferocious Tessa Thompson), is a "black power" radical stoking the fires with a controversial radio show called "Dear White People". It's there that she throttles up the tension with quippy verbal put-downs like "Dear white people, the amount of black friends required not to seem racist has just been raised to two.", or "Dear white people, dating a black person just to piss off your parents is a form of racism.” An over-crowded cast of characters represent all sides of black society, which much like School Daze are constantly at war. The antithesis of the militant Sam is rich kid Troy (Brandon P. Bell), the classic non-threatening black guy who tries to be friends with all sides. He's the president of Armstrong/Parker and seeks to make his father (Dennis Haysbert) happy by climbing the social ladder and maintaining a relationship with his white girlfriend. There's also aspiring reality star Coco (Teyonah Parris), a weave-waring fame seeker looking to hook up with the white trust-fund kids, and squash Sam in an effort to get more followers for her Youtube show. All of this is seen through the eyes of gay journalist Lionel (Tyler James Williams), a true outsider amongst perceived outsiders who can't find a place where he and his giant afro can fit in.

Simien's script is at its funniest when at its most confrontational, touching on a number of keen, pointed observations on the subtleties of racism. Tackling issues of prejudice in politics, affirmative action, and the abundance of insulting Tyler Perry movies. The megaphone for most of this is Sam, who struggles with identity while hiding behind an Angela Davis attitude in an effort to please her followers. Through her the film touches upon casual racism perpetrated by unaware whites who think they are being open-minded when they say "You're only technically black!" to someone who doesn't fit the stereotype. A highlight has Sam finding racism in the movie Gremlins, breaking it down as white fear of blacks invading suburban America (the gremlins talk slang, are addicted to chicken, and get upset when their hair is wet).

The problem with Dear White People has nothing to do with the content, which tackles a number of hot-button topics and presents a diverse swath of African-Americans that we rarely see on the big screen. To the film's credit, it's not just an angry screed against white people, and all sides are shown to have their flaws and prejudices. In his debut feature, Simien puts all of his eggs into one basket when a complicated film such as this requires a narrower focus. While the dialogue often comes off as too clever by half and self-congratulatory, the real issue is that the film is unwieldy with stagnant subplots. Troy's attempts to get in good with an arrogant white faction isn't resolved satisfactorily, and another involving his father's feud with the university president goes nowhere. Perhaps most disappointing of all is the treatment of Lionel, whose sexual/racial confusion feels like an afterthought, even though his character best embodies Simien's central point that nobody fits neatly into any one label.

Dear White People doesn't quite have the same blend of fire and insight as Lee's early work, but it's bold enough to ask the tough questions and make you laugh at the answers.



Wednesday, December 4, 2013

Sundance Film Festival Reveals 2014 Competition Line-Up


It's pretty crazy to think about this but....it's time to start turning the page to 2014. We may be neck deep in the thick of awards season in little over a month it'll be time to pack up the snow gear, grab a case of 5 Hour Energy and hit Park City, Utah for the Sundance Film Festival. Today the slate of films competing in the Dramatic, Documentary, World Cinema Dramatic, World Cinema Documentary, and NEXT categories has been revealed and it's enough to get this guy salivating. If you've been following this site for awhile you know this is my favorite time of year and I will be there again for the full 10 days, so take a look at the movies we'll hopefully be bringing you coverage of. The rest of the line-up from the Spotlight, Park City at Midnight, New Frontier, and Premieres categories will be announced shortly. Fingers crossed for The Raid 2, ya'll.

First up is the U.S. Dramatic slate, which consists of world premieres from the United States...

 “Camp X-Ray” — Directed and written by Peter Sattler. A young female guard at Guantanamo Bay forms an unlikely friendship with one of the detainees. Cast: Kristen Stewart, Payman Maadi, Lane Garrison, J.J. Soria, John Carroll Lynch. 

“Cold in July” — Directed by Jim Mickle, written by Nick Damici. A small-town Texas man kills a home intruder, only to see his life violently unravel in Mickle’s follow-up to “We Are What We Are.” Cast: Michael C. Hall, Don Johnson, Sam Shepard, Vinessa Shaw, Nick Damici, Wyatt Russell.

“Dear White People” — Directed and written by Justin Simien. A tongue-in-cheek look at racial identity at an Ivy League university, where a riot breaks out over an “African-American-themed” party thrown by white students. Cast: Tyler Williams, Tessa Thompson, Teyonah Parris, Brandon Bell.

“Fishing Without Nets” (U.S.-Somalia-Kenya) — Directed by Cutter Hodierne, written by Hodierne, John Hibey and David Burkman. This story of pirates in Somalia is told from the perspective of a struggling young local fisherman. Cast: Abdikani Muktar, Abdi Siad, Abduwwhali Faarah, Abdikhadir Hassan, Reda Kateb, Idil Ibrahim.

“God’s Pocket” — Directed John Slattery, written by Slattery, Alex Metcalf. The story of a man trying to conceal the truth about the construction “accident” that killed his stepson. Cast: Philip Seymour Hoffman, Richard Jenkins, Christina Hendricks, John Turturro.


“Happy Christmas” — Directed and written by Joe Swanberg. A young woman breaks up with her boyfriend and then moves in with her older brother, his wife, and their 2-year-old son. Cast: Anna Kendrick, Melanie Lynskey, Mark Webber, Lena Dunham, Swanberg. 

“Hellion” — Directed and written by Kat Candler. A 13-year-old delinquent must get his act together, along with his emotionally absent dad, in order to bring back his little brother, who’s been taken away by child protective services. Cast: Aaron Paul, Juliette Lewis, Josh Wiggins, Deke Garner, Jonny Mars, Walt Roberts.


“Infinitely Polar Bear” — Directed and written by Maya Forbes. A manic-depressive father tries to win back his wife by taking full responsibility of their two young daughters. Cast: Mark Ruffalo, Zoe Saldana, Imogene Wolodarsky, Ashley Aufderheide.


“Jamie Marks Is Dead” — Directed and written by Carter Smith. A ghost visits his former classmate, hoping to find the love and friendship he never experienced in life. Cast: Cameron Monaghan, Noah Silver, Morgan Saylor, Judy Greer, Madisen Beaty, Liv Tyler.

“Kumiko, the Treasure Hunter” — Directed by David Zellner, written by David and Nathan Zellner. A lonely Japanese woman abandons her structured life in Tokyo to seek a satchel of money rumoredly hidden in the Minnesota wilderness. Cast: Rinko Kikuchi.

“Life After Beth” — Directed and written by Jeff Baena. A man is devastated by his girlfriend’s unexpected death, but receives a second chance at love when she mysteriously returns. Cast: Aubrey Plaza, Dave DeHaan, John C. Reilly, Molly Shannon, Cheryl Hines, Paul Reiser. 

“Low Down” — Directed by Jeff Preiss, written by Amy Albany and Topper Lilien. This adaptation of Albany’s memoir explores her journey to adulthood while being raised by her troubled father, bebop pianist Joe Albany. Cast: John Hawkes, Elle Fanning, Glenn Close, Lena Headey, Peter Dinklage, Flea. 

“The Skeleton Twins” — Directed by Craig Johnson, written by Johnson and Mark Heyman. An estranged brother and sister coincidentally cheat death on the same day, prompting a reunion. Cast: Bill Hader, Kristen Wiig, Luke Wilson, Ty Burrell, Boyd Holbrook, Joanna Gleason. 

“The Sleepwalker” (U.S.-Norway) — Directed by Mona Fastvold, written by Fastvold, Brady Corbet. A young couple see their lives violently interrupted when unexpected guests arrive at their secluded estate. Cast: Gitte Witt, Christopher Abbott, Corbet, Stephanie Ellis.


“Song One” — Directed and written by Kate Barker-Froyland. When an accident leaves her brother comatose, a woman sets out to retrace his life as an aspiring musician, leading to an unexpected relationship against the backdrop of Brooklyn’s music scene. Cast: Anne Hathaway, Johnny Flynn, Mary Steenburgen, Ben Rosenfield. 

“Whiplash” — Directed and written by Damien Chazelle. A talented young drummer pursues perfection at any cost in Chazelle’s follow-up to “Guy and Madeline on a Park Bench.” Cast: Miles Teller, J.K. Simmons.

U.S. Documentary Competition

“Alive Inside: A Story of Music & Memory” — Directed by Michael Rossato-Bennett. A man discovers that songs embedded deep in memory can ease the pain of Alzheimer’s disease and dementia.

“All the Beautiful Things” — Directed by John Harkrider. An account of a close friendship between two men, tested by betrayal when one of them is falsely accused of rape.


“Captivated — The Trials of Pamela Smart” (U.S.-U.K.) — Directed by Jeremiah Zagar. An examination of the media’s impact on Smart’s 1991 murder trial, which became one of the highest-profile criminal cases of all time.

“The Case Against 8″ — Directed by Ben Cotner, Ryan White. A behind-the-scenes look at the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.


“Cesar’s Last Fast” — Directed by Richard Ray Perez, Lorena Parlee. A portrait of Cesar Chavez’s devotion and personal sacrifice in fighting for economic justice on behalf of America’s poorest workers.

“Dinosaur 13″ — Directed by Todd Miller. An up-close look at one of the greatest discoveries in history.

“E-Team” — Directed by Katy Chevigny, Ross Kauffman. A look at the high-stakes investigative work undertaken by four intrepid human-rights workers.

“Fed Up” — Directed by Stephanie Soechtig. An expose of the food industry’s 30-year campaign to mislead the American public, resulting in one of the worst health epidemics in history.

“The Internet’s Own Boy: The Story of Aaron Swartz” — Directed by Brian Knappenberger. Documents the life and accomplishments of programming prodigy and information activist Swartz before he took his life at the age of 26.


“Ivory Tower” — Directed by Andrew Rossi. An inquiry into whether college is worth it in an era of soaring tuition costs.

“Marmato” — Directed by Mark Grieco. A historic Colombian mining town becomes the center of a modern gold rush when a Canadian company seeks to excavate the $20 billion in gold beneath residents’ homes.

“No No: A Dockumentary” — Directed by Jeffrey Radice. A portrait of former baseball player Dock Ellis, who once pitched a no-hitter on LSD and subsequently spent decades counseling drug abusers.

“The Overnighters” — Directed by Jesse Moss. The story of a pastor seeking to help the desperate men who work in the North Dakota oil fields.

“Private Violence” — Directed by Cynthia Hill. An intimate portrait of domestic violence against women as told through two personal stories.


“Rich Hill” — Directed by Andrew Droz Palermo and Tracy Droz Tragos. An examination of challenges, hopes and dreams of the young residents of a rural American town.

“Watchers of the Sky” — Directed by Edet Belzberg. This documentary interweaves five stories of courage by humanitarians working to end genocide around the world.

World Cinema Dramatic 

“52 Tuesdays” (Australia) — Directed by Sophie Hyde, written by Matthew Cormack. An emotionally charged drama about a 16-year-old girl whose mother reveals her plans for gender transition. Cast: Tilda Cobham-Hervey, Del Herbert-Jane, Imogen Archer, Mario Spate, Beau Williams, Sam Althuizen. International premiere.

“Blind” (Norway-Netherlands) — Directed and written by Eskil Vogt. A woman who has recently lost her sight retreats into the safety and isolation of her apartment, alone with her husband and her thoughts. Cast: Ellen Dorrit Petersen, Henrik Rafaelsen, Vera Vitali, Marius Kolbenstvedt.
“Difret” (Ethiopia) — Directed and written by Zeresenay Berhane Mehari. A young lawyer operates under the government’s radar helping women and children, until one girl’s case blows her cover. Cast: Meron Getnet, Tizita Hagere.

“The Disobedient” (Serbia) — Directed and written by Mina Djukic. Two childhood friends reunite in their hometown, then take a bicycle trip around their old haunts. Cast: Hana Selimovic, Mladen Sovilj, Minja Subota, Danijel Sike, Ivan Djordjevic.

“God Help the Girl” (U.K.) — Directed and written by Stuart Murdoch. A musical about some messed-up boys and girls and the music they made. Cast: Emily Browning, Olly Alexander, Hannah Murray, Cora Bissett, Pierre Boulanger.


“Liar’s Dice” (India) — Directed and written by Geetu Mohandas. The story of a young woman who leaves her native land with her daughter to search for her missing husband, encountering a free-spirited army deserter along the way. Cast: Nawazuddin Siddiqui, Geetanjali Thapa, Manya Gupta. International premiere.

“Lilting” (U.K.) — Directed and written by Hong Khaou. An intimate drama about a Chinese mother mourning her son’s untimely death and the sudden appearance of a stranger who doesn’t speak her language. Cast: Ben Whishaw, Pei-Pei Cheng, Andrew Leung, Peter Bowles, Naomi Christie, Morven Christie.

“Lock Charmer” (El cerrajero) (Argentina) — Directed and written by Natalia Smirnoff. A 33-year-old locksmith begins to have strange visions about his clients and decides to put this strange talent to use. Cast: Esteban Lamothe, Erica Rivas, Yosiria Huaripata.

“To Kill a Man” (Chile-France) — Directed and written by Alejandro Fernandez Almendras. A hard-working family man gets mugged by a neighborhood delinquent, setting off a chain of violence and retribution. Cast: Daniel Candia, Daniel Antivilo, Alejandro Yanez, Ariel Mateluna.

“Viktoria” (Bulgaria-Romania) — Directed and written by Maya Vitkova. In communist Bulgaria, a woman gives birth to a daughter who, despite being born with no umbilical cord, is hailed as the baby of the decade. Cast: Irmena Chichikova, Daria Vitkova, Kalina Vitkova, Mariana Krumova, Dimo Dimov, Georgi Spassov.

“Wetlands” (Germany) — Directed by David Wnendt, written by Claus Falkenberg and Wnendt. A graphic adaptation of Charlotte Roche’s bestselling novel about an 18-year-old girl obsessed with her own bodily secretions. Cast: Carla Juri, Christoph Letkowski, Meret Becker, Axel Milberg, Marlen Kruse, Edgar Selge. North American premiere.

“White Shadow” (Italy-Germany-Tanzania) — Directed by Noaz Deshe, written by Desh and James Masson. A survival drama about a young albino boy who goes on the run after witnessing his father’s murder. Cast: Hamisi Bazili, James Gayo, Glory Mbayuwayu, Salum Abdallah. International premiere.

World Cinema Documentary

 “20,000 Days on Earth” (U.K.) — Directed by Iain Forsyth and Jane Pollard. A docu-drama hybrid and examination of the artistic process that imagines 24 hours in the life of Nick Cave.

“Concerning Violence” (Sweden-U.S.-Denmark-Finland) — Directed by Goran Hugo Olsson. A synthesis of newly discovered archival material documenting Third World struggles, accompanied by text from Frantz Fanon’s “The Wretched of the Earth.”

“The Green Prince” (Germany-Israel-U.K.) — Directed by Nadav Schirman. An account of one of Israel’s prized intelligence sources, who was recruited to spy on his own people for more than a decade.

“Happiness” (France-Finland) — Directed by Thomas Balmes. A portrait of social change as seen through the eyes of an 8-year-old Bhutanese monk whose village is about to be connected to electricity. North American premiere.

“Love Child” (South Korea-U.S.) — Directed by Valerie Veatch. Covers the 2010 trial of a young South Korean couple accused of neglect when their addiction to an online fantasy game resulted in the death of their infant daughter.

“Mr. Leos Carax” (France) — Directed by Tessa Louise-Salome. A portrait of the maverick director behind such films as “Holy Motors,” “The Lovers on the Bridge” and “Pola X.”

“My Prairie Home” (Canada) — Directed by Chelsea McMullan. A musical documentary portrait of Canadian transgender singer Rae Spoon, featuring visual interpretations of the artist’s songs. International premiere.

“The Notorious Mr. Bout” (U.S.-Russia) — Directed by Tony Gerber and Maxim Pozdorovkin. A profile of war profiteer, entrepreneur, aviation tycoon, arms dealer and documentary filmmaker Viktor Bout.


“The Return to Homs” (Syria-Germany) — Directed by Talal Derki. A portrait of young revolutionaries fighting for justice in the titular Syrian city. North American premiere.

“Sepideh — Reaching for the Stars” (Denmark) — Directed by Berit Madsen. A young Iranian woman challenges traditions and expectations with her dream of becoming an astronaut. North American premiere.


“We Come as Friends” (France-Austria) — Directed by Hubert Sauper. A look at colonization a human phenomenon from the director of “Darwin’s Nightmare.”

“Web Junkie” (Israel) — Directed by Shosh Shlam and Hilla Medalia. A look at a Beijing rehab center where Internet-addicted Chinese teenagers are deprogrammed.

NEXT

“Appropriate Behavior” (U.S.-U.K.) — Directed and written by Desiree Akhavan. The story of the identity struggles facing a young Persian-American bisexual woman in Brooklyn. Cast: Desiree Akhavan, Rebecca Henderson, Halley Feiffer, Scott Adsit, Anh Duong, Arian Moayed.

“Drunktown’s Finest” — Directed and written by Sydney Freeland. A coming-of-age story about three very different young Native Americans living on a reservation. Cast: Jeremiah Bitsui, Carmen Moore, Morningstar Angeline, Kiowa Gordon, Shauna Baker, Elizabeth Francis.

“The Foxy Merkins” — Directed by Madeleine Olnek, written by Lisa Haas, Jackie Monahan and Olnek. A prostitute buddy comedy about two lesbian hookers working the streets of New York. Cast: Lisa Haas, Jackie Monahan, Alex Karpovsky, Susan Ziegler, Sally Sockwell, Deb Margolin.

“A Girl Walks Home Alone at Night” — Directed by Ana Lily Amirpour. Residents of the Iranian ghost town Bad City are stalked by a lonesome vampire. Cast: Sheila Vand, Arash Marandi, Dominic Rains, Marshall Manesh, Mozhan MarnĂ³, Milad Eghbali.

“Imperial Dreams” — Directed by Malik Vitthal, written by Vitthal and Ismet Prcic. A 21-year-old reformed gangster is released from prison and returns to his old stomping grounds in Watts, Los Angeles. Cast: John Boyega, Rotimi Akinosho, Glenn Plummer, Keke Palmer, De’aundre Bonds.

“Land Ho!” (U.S.-Iceland) — Directed and written by Martha Stephens and Aaron Katz. A bawdy throwback to 1980s road movies, about two former brothers-in-law who head to Iceland in an attempt to reclaim their youth. Cast: Paul Eenhoorn, Earl Nelson, Alice Olivia Clarke, Karrie Krouse, Elizabeth McKee, Emmsje Gauti.

“Listen Up Philip” — Directed and written by Alex Ross Perry. A writer faces various mistakes and miseries affecting those around him, including his girlfriend, many ex-girlfriends and enemies. Cast: Jason Schwartzman, Elisabeth Moss, Jonathan Pryce, Krysten Ritter, Josephine de La Baume. 

“Memphis” — Directed and written by Tim Sutton. The story of a strange singer’s doomed journey through the mythic city of Memphis. Cast: Willis Earl Beal, Lopaka Thomas, Constance Brantley, Devonte Hull, John Gary Williams, Larry Dodson.


“Obvious Child” — Directed and written by Gillian Robespierre. A Brooklyn comedian is dumped and fired, then learns she’s pregnant — all in time for Valentine’s Day. Cast: Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman, Richard Kind.


“Ping Pong Summer” — Directed and written by Michael Tully. A youthful snapshot of the summer of 1985, set in Ocean City, Md. Cast: Susan Sarandon, John Hannah, Lea Thompson, Amy Sedaris, Robert Longstreet, Marcello Conte.


“War Story” — Directed by Mark Jackson, written by Kristin Gore and Jackson. A war photographer retreats to a small town in Sicily after being held captive in Libya. Cast: Catherine Keener, Hafsia Herzi, Vincenzo Amato, Donatella Finocchiaro, Ben Kingsley.