The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label The Oscars. Show all posts
Showing posts with label The Oscars. Show all posts

Monday, March 3, 2014

2014 Oscars In Memoriam Plus Bette Midler's 'Wind Beneath My Wings' Performance


There were a number of times during last night's Oscars ceremony when I found myself near tears. And no, it wasn't just me crying over another Degeneres joke that landed like a ton of bricks. With another year having gone by, we've lost a great many actors, writers, directors, and others who contributed to this world of movies we love so much. This year's In Memoriam segment was introduced by Glenn Close, beginning with the late James Gandolfini and closing with the recently-passed Philip Seymour Hoffman.

And as if it wasn't a moving enough segment on its own, Bette Midler came out at the end to perform "Wind Beneath My Wings" and guarantee there wasn't a dry eye in the house. It may have been a better idea to have her perform it during the video rather than after, but oh well. You can check out the In Memoriam video and Midler's performance below.



Friday, February 28, 2014

2014 Oscar Predictions: 'Gravity', 'American Hustle', '12 Years A Slave' Vie for Gold



In just a few short days it'll be the 86th Academy Awards, when Hollywood will (mostly) put all of the lobbying and horse-trading behind them and honor the best movies of the prior year. Actually, they'll honor the best movies that had the best marketing campaigns and threw the best parties with the most awesome swag, but that's a discussion for another day. This year we're basically looking at a three film race to take everything: American Hustle, Gravity, and 12 Years A Slave. They've cleaned up on the overlong awards drive leading up to this point, and there's little reason to think that will end now. A few surprises could bubble up in the acting categories, though, thanks to Matthew McConaughey who seems especially tough to keep down.  The same can't be said for Robert Redford, Emma Thompson, or Tom Hanks, who were expected to be contenders but couldn't quite cross the finish line.

Enough jabbering. Here are my picks for who will win, the dark horse, who should win, and in some cases what was criminally left out of the discussion. Feel free to come back here when all is said and done to mock my wild misfires, of which there usually many.

Best Picture
Well, here's where everything will come to a head. A few weeks ago one would have said this was Gravity or 12 Years a Slave's award to win, but the late release of American Hustle was a brilliant bit of chess. Ignore those other six movies on the list; they're only here to bump up Blu-Ray sales. The popular theory is that 12 Years a Slave will win here, with Alfonso Cuaron getting his due in the Best Director category. But I say screw that; Cuaron takes both in a shocker.

Who Will Win: Gravity
Who Should Win: 12 Years A Slave
The Dark Horse: American Hustle
Shoulda Been a Contender: Short Term 12

Best Director
What Steve McQueen was able to accomplish with 12 Years a Slave is truly extraordinary, but nothing compares to the groundbreaking technical achievements of Alfonso Cuaron's Gravity. And let's face it, most people would rather feel like they're in space than at the end of Michael Fassbender's whip. Regardless of who takes it they'll be making history, either as the first African-American or Latino Best Director winner. Again, the only other nominee with any glimmer of hope is David O. Russell for American Hustle, but that was more of an actors' showcase.

Who Will and Should Win: Alfonso Cuaron, Gravity
The Dark Horse: David O. Russell, American Hustle
Shoulda Been a Contender:  Spike Jonze, Her

Best Actor
Wow, no other category is quite as competitive as the Best Actor field, so much so that Tom Hanks, Robert Redford, Joaquin Phoenix, Michael B. Jordan and Oscar Isaac couldn't get in despite many finding them deserving. A few months ago this seemed like a shoe-in for Chiwetel Ejiofor's powerful turn in 12 Years a Slave, but after a string of victories it's looking like Matthew McConaughey may have the edge for Dallas Buyers Club. Matthew McConaughey, Oscar-winner. Yeah, wrap your head around that one. Still, I think Ejiofor edges him out, but just barely. A lot of love out there for Bruce Dern and Nebraska but a long career does not a great actor make, in my opinion. Christian Bale's hair and gut were impressive, but American Hustlebelonged to the ladies. Leonardo DiCaprio dropped a ton of F-Bombs in what I think was his finest performance in a string of great ones, and any other year he would easily take it.

Who Will and Should Win: Chiwetel Ejiofor, 12 Years a Slave
The Dark Horse: Bruce Dern, Nebraska
Shoulda Been a Contender: Robert Redford, All is Lost

Best Actress
Probably by default or something, Cate Blanchett seems to be the favorite here for her vastly overrated, modulation-free performance in Blue Jasmine. Despite the presence of Meryl Streep in the mediocre August: Osage County, the only one who may stir things up is Amy Adams for American Hustle. Like Blanchett, she was the best thing about the film she was in, however the difference is that American Hustle is a good film with a tremendous cast, making Adams' performance all the more impressive. Blue Jasmine is a subpar effort stashed with stand-up comedians from Woody Allen, who just so happens to be embroiled in an ugly controversy, the kind of controversy that could keep voters from supporting his film.

Who Will Win: Cate Blanchett, Blue Jasmine
Who Should Win: Amy Adams, American Hustle
Shoulda Been a Contender: Brie Larson, Short Term 12

Best Supporting Actor
If there's one sure-fire lead pipe lock it's that Jared Leto is walking away with some gold this weekend. He's dominated the award season for his transformative performance in Dallas Buyers Club, with the only losses coming when he wasn't even nominated, like at the BAFTAs. If Matthew McConaughey can also sure a win it'll be the first time since Mystic Riverthat Best Actor and Best Supporting Actor victors came from the same movie. There's a lot of love out there for Jonah Hill to get the win he didn't get for Moneyball, and Barkhad Abdi's debut performance in Captain Phillips is a great Cinderella story, but neither has a chance this year.

Who Will and Should Win: Jared Leto, Dallas Buyers Club
The Dark Horse: Jonah Hill, The Wolf of Wall Street
Shoulda Been a Contender: James Franco, Spring Breakers

Best Supporting Actress
Ding ding ding! In this corner we have Lupita Nyong'o, the Kenyan beauty who turned heads with her heartbreaking performance in 12 Years a Slave, her first major acting role. And in this corner is the defending champion and Hollywood darling, Jennifer Lawrence, the firecracker of American Hustle. Really, there are no other contenders in this fight, and the momentum seems to be behind Lawrence after big wins at the Golden Globes and BAFTAs. It's probably hers to lose, but the campaign for Nyong'o has been fierce and persistent. She's been in front of every darn camera on the west coast and attended every awards ceremony big or small, and that definitely has an effect. This one is almost too close to call, but my money is on Lawrence going 2-for-2.

Who Will Win: Jennifer Lawrence, American Hustle
Who Should Win: Lupita Nyong'o, 12 Years a Slave
Shoulda Been a Contender: Octavia Spencer or Melonie Diaz, Fruitvale Station

Best Animated Feature
The world loves legendary animator, Hayao Miyazaki, and his sterling biopic The Wind Rises has more than enough fans to drown out any detractors, but this is Disney's award to win for the Frozen. A beloved smash at the box office with a soundtrack that has parents and kids singing "Let it Go" at the top of their lungs, Frozen would be Disney Animation's first win in this category since...ever. Kind of crazy, huh?

Who Will Win: Frozen
Who Should Win: The Wind Rises

Best Adapted Screenplay
Who Will Win: 12 Years a Slave, John Ridley
Who Should Win: The Wolf of Wall Street, Terence Winter
The Dark Horse: Before Midnight, Richard Linklater, Julie Delpy, Ethan Hawke
Shoulda Been a Contender: Short Term 12, Destin Daniel Cretton

Best Original Screenplay
Who Will Win: American Hustle, Eric Warren Singer and David O. Russell
Who Should Win:  Her, Spike Jonze

Best Foreign Language Film
Who Will Win: The Broken Circle Breakdown
Who Should Win: The Hunt
Shoulda Been a Contender: The Past

Best Documentary Feature
Who Will Win: The Square
Who Should win: The Act of Killing
Shoulda Been a Contender: Stories We Tell

Best Cinematography
Who Will and Should Win: Gravity, Emmanuel Lubezki
The Dark Horse: Inside Llewyn Davis, Bruno Delbonnel
Shoulda Been a Contender: 12 Years a Slave, Sean Bobbitt

Best Production Design
Who Will Win: Gravity
Who Should Win: The Great Gatsby

Best Costume Design
Who Will Win: American Hustle
Who Should Win: The Great Gatsby

Best Film Editing
Who Will and Should Win: Gravity

Best Make-Up & Hairstyling
Who Will Win: Dallas Buyers Club
The Dark Horse: Jackass Presents: Bad Grandpa

Best Original Score
Who Will Win: Gravity, Steven Price
Who Should Win: Her,  William Butler and Owen Pallett
Shoulda Been a Contender: Short Term 12, Joel P. West

Best Original Song
Who Will Win: "Let It Go, Frozen
Who Should Win: "Happy" by Pharrell Williams, Despicable Me 2

Best Sound Editing
Who Will Win: Gravity

Best Sound Mixing
Who Will Win: Gravity
Shoulda Been a Contender: Rush

Best Visual Effects
Who Will and Should Win: Gravity

Friday, September 6, 2013

Cinema Royale #32- Riddick; Early Best Picture Predictions


Now that the summer's over, it's time to turn the page and look forward to the fall and the Oscar season. And on this episode Cinema Royale we'll do that by reviewing Vin Diesel's sci-fi flick, Riddick! What, that makes no sense you say? What ever do you mean?

We WILL look ahead, probably way too far ahead, at the early Best Picture contenders likely to emerge this season. Could the kidnapping drama Prisoners be a dark horse? What about Tom Hanks' dual films Captain Phillips and Saving Mr. Banks? And where does The Hobbit: The Desolation of Smaug fit into the mix?

You can find Cinema Royale every single week on Blogtalkradio, Itunes, Libsyn, and Podomatic. Listen to this week's episode below...

Tuesday, February 12, 2013

"How's bragging camp going?" Part 2 of Zach Galifianakis' 'Between Two Ferns' Oscar show


If you somehow missed the first part of Zach Galifianakis' Between Two Ferns Oscar special, then by all means go check it out right now. Insulting and awkward, he manages to offend everyone from Naomi Watts to Christoph Waltz, while also dealing with an uppity Jennifer Lawrence and drunken Anne Hathaway. Great stuff.  The second part of the show is now online, which features Sally Field, Bradley Cooper, Jessica Chastain, and an actor with the last name "Lewis". It's not who you think. This one's not as funny as yesterday's but I'd totally be down for Galifianakis to host a real talk show in the future. [FunnyOrDie]



Monday, February 11, 2013

Zach Galifianakis is back with 'Between Two Ferns' Oscar Buzz Edition


Zach Galifianakis' comedy talk show Between Two Ferns has been more miss than hit for me, but after a lengthy hiatus he's back on the low-budget set to deliver a real whopper. This episode is part one of a special Oscar Buzz Edition, and in it he faces down a drunken Anne Hathaway, calls Jennifer Lawrence ugly, insults Christoph Waltz, and gets Amy Adams to talk about farting. There's more than that crammed into this hilarious 6-minute bit, so check it out below. [FunnyOrDie]



Thursday, January 27, 2011

Punch Drunk Critics Live! ep. 85: Academy Awards; The Rite; The Mechanic

It's that time of year. The time of year where Hollywood honors the very best cinema has to offer. The Academy Award nominees have been announced, and we'll be joined by some of DC's best critics to pick out the surprises, the clear cut favorites, and all the duds! Plus, we've got reviews of The Rite, starring Anthony Hopkins, and The Mechanic featuring Jason Statham and Ben Foster! We hope you'll join us for another jam packed episode, courtesy of our friends at Blogtalkradio!

Tuesday, January 25, 2011

The Nominees for the 83rd Academy Awards are...

It's that time of year where the Academy of something or other gives props to the very best in cinema. The nominees for the 83rd Academy Awards brought some surprises, some good and some head scratching. I count The King's Speech's whopping 12 nominations in the latter category. Let's just jump right in, with my thoughts sprinkled in as usual...

Best Motion Picture of the Year
Black Swan
The Fighter
Inception
The Kids are All Right
The Kings Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter's Bone

The surprise here for me are the additions of The Kids Are All Right and Winter's Bone, both of which a lot of people missed and have been mainly about the performances.The buzz is clearly behind The King's Speech and The Social Network, with I think Speech pulling this one out by a nose. My personal pick would've been Inception, which I think is by far the most ambitious of any of these movies. Don't rule out a surprise win for Toy Story 3, as if there's ever going to be a year when an animated film does finally win Best Picture this is it.

Performance by an Actor in Leading Role
Javier Bardem, Biutiful
Jeff Bridges, True Grit
James Franco, 127 Hours
Jesse Eisenberg, The Social Network
Colin Firth, The King's Speech

The prize for Eisenberg is merely being nominated, so don't expect him to pull this one out. Franco seems to be Hollywood's golden boy right now. Bridges had the most showy performance, but there's not a lot of nuance to it. Count on the golden statue to end up with Colin Firth, however, with the King's Speech Speech packing all the momentum.

Performance by an Actor in a Supporting Role
Christian Bale, The Fighter
John Hawkes, Winter's Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King's Speech

And The King's Speech love continues with Rush's nomination, but clearly this is a one-horse show and that pony's name is Christian Bale. He's been deserving of an Oscar for years, and now is his time. My heart wants John Hawkes to win as he had the greatest transformation to make, but I think everybody else should just be happy to be mentioned.

Performance by an Actress in a Leading Role
Annette Bening, The Kids Are All Right
Natalie Portman, Black Swan
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Michelle Williams, Blue Valentine

I so desperately want this to be a three-way cage match between Portman, Lawrence, and Williams! All three turn in stunningly crafted roles, and I can't decide who I want to win more! The favorite in my mind has to be Portman, who similar to James Franco, seems to be on everybody's mind right now. Bening is the sentimental favorite, as she usually is, but I consider her role a little too slight to win. I'm beginning to wonder if anybody who's voting for this crap ever even saw Rabbit Hole, because if they did there's no way they'd be nominating Kidman. Period. A screechy, shallow performance that makes me think she's here merely out of habit.

Performance by an Actress in a Supporting Role
Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit
Jacki Weaver, Animal Kingdom

This might've been the most competitive year for supporting actresses in decades. No joke. There are at least a dozen other names that could've been thrown in here and all would've made sense. Leo and Adams threaten to cancel eachother out, even coming off Leo's Golden Globe victory.  Steinfeld's debut in True Grit could rightfully be labeled a "leading" performance, but even so all of the performances feel sort of minimal. Even hers. Bonham Carter was an effective source of occasional comedy and strength in The King's Speech, but for me the one role that stands out as being truly memorable is that of Jacki Weaver in Animal Kingdom. I defy anyone to watch and tell me she didn't dominate every single scene she was in.

Best Animated Feature Film
How to Train Your Dragon
The Illusionist
Toy Story 3

I know there's a lot of love out there for all three of these amazing animated flicks, but let's be serious here. Toy Story 3 is going to take it. And if by some chance it doesn't that means it's winning Best Picture. Period.

Achivement in Directing
Darren Aronofsky, Black Swan
David O. Russell, The Fighter
Tom Hooper, The King's Speech
David Fincher, The Social Network
Joel Coen and Ethan Coen, True Grit

You've got to explain to me how Christopher Nolan was left out of this category while David O. Russell got in for a good albeit generic sports drama? Whatever.  I'm sure Inception will win somewhere else(Best Picture, please!!), but I find this decision completely baffling. Smart money is on Tom Hooper for the clearly beloved King's Speech, with David Fincher nipping at his heels for The Social Network. I'll go with Fincher pulling out the close win.

Adapted Screenplay
Danny Boyle and Simon Beaufoy, 127 Hours
Aaron Sorkin, The Social Network
Michael Arndt, Toy Story 3
Joel Coen and Ethan Coen, True Grit
Debra Granik & Anne Rosellini, Winter's Bone

No script was as fast paced and witty as Sorkin's for The Social Network. Who else could make a film essentially about a bunch of rich spoiled folks talking at eachother from across a desk so damn intriguing?

Original Screenplay
Mike Leigh, Another Year
Scott Silver and Paul Tamasy & Eric Johnson, The Fighter
Christopher Nolan, Inception
 Lisa Cholodenko & Stuart Blumberg, The Kids Are All Right
David Seidler, The King's Speech

I'm torn on this one. I tend to think this will be one of the awards Christopher Nolan wins in order to soften the blow of him not being nominated for Best Director, but there's no denying the heat behind Cholodenko and Seidler's scripts. I wish there was some sort of honorary prize for Mike Leigh's tremendous Another Year, but alas....

Art Direction
Alice in Wonderland
Harry Potter and the Deathly Hallows pt. 1
Inception
The King's Speech
True Grit

Achivement in Cinematography
Black Swan
Inception
The King's Speech
The Social Network
True Grit

Achievement in Costume Design
Alice in Wonderland
I Am Love
The King's Speech
The Tempest
True Grit

Best Documentary Feature
Exit Through the Gift Shop
Gasland
Inside Job
Restrepo
Waste Land

If Exit Through the Gift Shop doesn't win I'll assume this was all some sort of scheme cooked up by Banksy himself. What, no Catfish?

Best Documentary Short Subject
Killing in the Name
Poster Girl
Strangers No More
Sun Come Up
The Warriors of Quigang
Achievement in Film Editing
Black Swan
The Fighter
The King's Speech
127 Hours
The Social Network

Best Foreign Language Film
Biutiful
Dogtooth
In a Better World
Incendies
Outside the Law

I only got to see Biutiful out of this group, so that's my pick!!

Achievement in Make-Up
Barney's Version
The Way Back
The Wolfman

God, The Wolfman was last year, wasn't it? Feels like a lifetime ago. Then again sitting through it felt like it took a lifetime, so I guess that's just.

Best Original Score
John Powell, How to Train Your Dragon
Hans Zimmer, Inception
Alexandre Desplat, The King's Speech
A.R. Rahman, 127 Hours
Trent Reznor and Attitcus Ross, The Social Network

Seriously, where the heck is Tron Legacy? I don't think there's any doubt The Social Network brings this one home.

Best Original Song
"Coming Home", Country Strong
"I See the Light", Tangled
"If I Rise", 127 Hours
"We Belong Together", Toy Story 3

Achievement in Sound Mixing
Inception
The King's Speech
Salt
The Social Network
True Grit

Best Achievement in Sound Editing
Inception
Toy Story 3
Tron Legacy
True Grit
Unstoppable

Best Achievement in Visual Effects
Alice in Wonderland
Harry Potter and the Deathly Hallows pt. 1
Hereafter
Inception
Iron Man 2

Seriously? Clint Eastwood noted for his special effects work? You can't tell me that just sounds strange on the face of it.

Best Animated short
Day and Knight
The Gruffalo
Let's Pollute
The Lost Thing
Madagascar, a Journey Diary

Best Live Action short
The Confession
The Crush
God of Love
Na Wewe
Wish 143

Monday, November 29, 2010

The Academy goes young style, names James Franco and Anne Hathaway to host the Oscars

The Academy of Motion Picture Arts and Sciences has decided to skew a bit younger this year, naming James Franco and Anne Hathaway as co-hosts of this year's Academy Awards. The event is scheduled for February 27th, 2011.

Personally I have no problem with this. I enjoyed Steve Martin and Alec Baldwin last year, and have liked others such as Billy Crystal in the past. But those guys are old hat to most folks, so I see the desire to try to attract a more youthful audience. I don't think it'll work, since a sacrifice is being made to name recognition, but we shall see. 

Here's a possible bone of contention, though. Both Franco and Hathaway are likely to be major factors in a couple of important categories. Franco is pretty much a lock to be nominated for 127 Hours, and Hathaway will probably be the lone nomination for Ed Zwick's Love and Other Drugs. It wouldn't be the first time a presenter won an award while on stage, but could it be the first time a host won? Maybe somebody else can answer that question for me.

You can check out Deadline for the press release...as well as Deadline's annoying TOLDJA!!! headline.

Tuesday, February 2, 2010

The 82nd Oscars are Here!

I'm no fan of the Academy's decision to expand to 10 Best Picture nominees. It doesn't really add much excitement other than hearing a lesser known film with zero chance of winning get a mention or two.  The upside is that it might entice a few people to check these great films out. The downside is that we'll still know who the true favorites are to win.  As expected, Avatar led all films with 9 nominations. The surprise, though, is that Kathryn Bigelow's The Hurt Locker tied it. James Cameron and Bigelow were formerly husband and wife. I wonder if they'll have any drunken hook ups at the Oscar night party they're sure to attend.

Best Motion Picture of the Year
Nominees:
Avatar (2009)
The Blind Side (2009)
District 9 (2009)
An Education (2009)
The Hurt Locker (2008)
Inglourious Basterds (2009)
Precious: Based on the Novel Push by Sapphire (2009)
A Serious Man (2009)
Up (2009)
Up in the Air (2009/I)

Let's be honest, there are only a few of these that are real contenders. Avatar, Inglorious Basterds, The Hurt Locker, Up, and Up in the Air are the real deal. It's good to see An Education getting the recognition it so rightly deserves, but it's main attraction is the script and Carey Mulligan's wonderful performance. I think this is truly a three horse race, and in the end I think that The Hurt Locker is going to win out over the big budget, special effects laden Avatar. This will be the Academy's chance to show that smaller, well crafted filmmaking still dominates over technical wizardry. On CNN this morning, the two clueless anchors(who admitted they had seen 2 of the 10 films) thought that Precious was the clear favorite. I take it they don't do drug testing at the most trusted news network, eh?

Best Performance by an Actor in a Leading Role
Nominees:
Jeff Bridges for Crazy Heart (2009)
George Clooney for Up in the Air (2009/I)
Colin Firth for A Single Man (2009)
Morgan Freeman for Invictus (2009)
Jeremy Renner for The Hurt Locker (2008)

This might be the most competitive Best Actor race in years. Every one of these 5 could legitimately win out. I think Morgan Freeman has the least chance, thanks mostly to the fact that Invictus flopped huge with both audiences and critics. Clooney and Renner have been the go-to picks for months now, putting on performances that nobody expected from the two of them. I think this one boils down to Colin Firth as the closeted gay man looking to end his own life in A Single Man, and the ever reliable Jeff Bridges in Crazy Heart. I think Bridges has the momentum here, based mostly on his body of work over the years and general lack of recognition for it.

Best Performance by an Actress in a Leading Role
Nominees:
Sandra Bullock for The Blind Side (2009)
Helen Mirren for The Last Station (2009)
Carey Mulligan for An Education (2009)
Gabourey Sidibe for Precious: Based on the Novel Push by Sapphire (2009)
Meryl Streep for Julie & Julia (2009)

If you'd asked me a month ago I would've told you Streep had this one in the bag, but thanks to The Blind Side's dominance at the box office, not to mention it being nominated for Best Picture, I think she's turned the corner and is now the frontrunner. Gaby Sidibe was good in precious, but unspectactular in my opinion. She shouldn't be here, really, and her nomination is the Academy's acknowledgement of a newcomer(who we won't see again in anything meaningful, if you ask me). If it were up to me, my pick would be Carey Mulligan, who far and away had the best performance of the year in An Education. Comparisions to her resembling a young Hepburn don't begin to get across how good she is, and considering her follow-up projects(she had a small part in Brothers as well), I expect we'll be seeing her for a long time to come. I hope she takes it.

Best Performance by an Actor in a Supporting Role
Nominees:
Matt Damon for Invictus (2009)
Woody Harrelson for The Messenger (2009/I)
Christopher Plummer for The Last Station (2009)
Stanley Tucci for The Lovely Bones (2009)
Christoph Waltz for Inglourious Basterds (2009)

This one's a no-brainer. Waltz is going to take this one, far and away. He's been the top choice all year, and even though Woody Harrelson is making a strong bid at the end for his amazing turn as a casualty notification officer in The Messenger, that film was too little seen to make much of an impact.

Best Performance by an Actress in a Supporting Role
Nominees:
Penélope Cruz for Nine (2009)
Vera Farmiga for Up in the Air (2009/I)
Maggie Gyllenhaal for Crazy Heart (2009)
Anna Kendrick for Up in the Air (2009/I)
Mo'Nique for Precious: Based on the Novel Push by Sapphire (2009)

My girl did it! I knew Anna Kendrick would be big time, but I did not expect this. She has no chance of winning, mind you, but it's good to see somebody from the movie Camp hitting the A-list. Much like the supporting male category, this one's a shoe in. Mo'nique is going to take it. It's hard to argue that her fiery performance in Precious is the film's best quality, although for me it was more that we were shocked to see her playing somebody other than a sassy clown. If awards were given out for being hot, Penelope Cruz would've won this thing six months ago. She is absolutely gorgeous in Nine, even if her musical number falls flat. Gyllenhall is on this list because she's such a stalwart, even though her actual role was pretty flimsy. My pick would be Vera Farmiga, who's back and forth with George Clooney was charged with so much sexual energy that it was almost palpable.

Best Achievement in Directing
Nominees:
Kathryn Bigelow for The Hurt Locker (2008)
James Cameron for Avatar (2009)
Lee Daniels for Precious: Based on the Novel Push by Sapphire (2009)
Jason Reitman for Up in the Air (2009/I)
Quentin Tarantino for Inglourious Basterds (2009)

Why is Lee Daniels here? Oh, that's right. Precious is the Academy's pet project this year. That film could've been directed by anybody, and sometimes it looked like it was! Reitman suffered some of that same criticism for Juno a couple of years ago, although I think Up in the Air shows his own unique style more than that film did. This is a three horse race between Bigelow, Cameron, and Tarantino. My heart says Bigelow wins it in an upset, but I refuse to believe they won't recognize Cameron's film in some way. I think Hurt Locker wins best film, but Cameron wins best director.

Best Writing, Screenplay Written Directly for the Screen
Nominees:
The Hurt Locker (2008): Mark Boal
Inglourious Basterds (2009): Quentin Tarantino
The Messenger (2009/I): Oren Moverman, Alessandro Camon
A Serious Man (2009): Joel Coen, Ethan Coen
Up (2009): Bob Peterson, Pete Docter

Those wondering if QT is going to get any kind of recognition this year might want to focus on this category. His amazing ear for dialgoue was at full display with Basterds, in particular the tension filled opening sequence. I'm surprised to see The Messenger even nominated here, considering the script was arguably the film's weakest point.

Best Writing, Screenplay Based on Material Previously Produced or Published
Nominees:
District 9 (2009): Neill Blomkamp, Terri Tatchell
An Education (2009): Nick Hornby
In the Loop (2009): Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
Precious: Based on the Novel Push by Sapphire (2009): Geoffrey Fletcher
Up in the Air (2009/I): Jason Reitman, Sheldon Turner

It's good to see In the Loop getting a nomination for something. It's arguably the funniest film of 2009, and definitely the one with the most machine gun rapid fire quips. I'd like to see An Education take the title, but my mind tells me this is where Up in the Air gets it's due. Timely pictures like this are always recognized by the Academy in some small way. As long as Precious doesn't win, I'm happy.