Musings: What romantic-comedy mockery does “They Came Together” do best?

You can tell that director David Wain wants his new film, They Came Together, to be as iconic as his most famous work, Wet Hot American Summer. The intent soaks the film, manifesting in every crazy aside, every use of Christopher Meloni, and every bizarre sex scene. They Came Together is Wain’s attempt at recapturing the weird magic of Wet Hot American Summer, but it doesn’t quite work—you can’t strike ridiculous lightning twice. (Check out Travis's review here.)

Nevertheless, stars Paul Rudd and Amy Poehler—as Joel and Molly, respectively—give it their all, and for as much as the film feels like an overly long sketch jammed before the 1 a.m. cutoff on Saturday Night Live, there are moments here as memorable as Meloni and his can of vegetables. If you’re going to end up seeing or renting They Came Together this weekend, do it for these five moments.

+ “He’s handsome but in a nonthreatening way; vaguely but not overly Jewish.” “Molly is the kind of cute, klutzy girl that sometimes will drive you a little bit crazy, but you can’t help but fall in love with her.” One of the first things They Came Together does well is introduce the main characters played by Rudd and Poehler, and could they have been more spot-on in their generalizations of romantic-comedy protagonists? Absolutely not. Especially if you’ve ever seen Rudd play a romantic lead, like he did way back when in Baz Luhrmann’s “Romeo + Juliet” – Paris basically defined “handsome but in a nonthreatening way.”

+ Amy Poehler shaving her face. In an early sequence, a split-screen shows Rudd and Poehler getting ready for their days in a similar fashion—singing along to the same song in the shower, for example—and then Rudd shaving his face … while Poehler also shaves her face. It’s so stupid, but her cutesy, grinning face as she smears shaving cream all over it has stuck with me since.

+ Jason Mantzoukas’s beard. The thing should get its own IMDB credit. Whether he’s trying to tame it down as a candy-company executive or letting it look all crazy while he’s in costume as a vampire, it’s a thing of beauty. Bless this man’s commitment to growing, and keeping, insane facial hair. It’s almost as important to the film as Michael Ian Black’s greasy sideswept hair and orange tan—because if you’re a romantic-comedy villain, that’s just how you look. That’s just true.

+ “That’s the point of view I represent!” says Kenan Thompson, who plays the token married and token black friend to Rudd’s Joel. If only all movies were this upfront about their casting quotas.

+ That time Joel pulls a cheeseburger out from behind the ear of Molly’s-never-before-mentioned son, who immediately calls him “Daddy.” We’re so used to seeing romantic-comedy protagonists try to charm children onto their side, but at least Wain abandons the change route—who even uses coins anymore?—and goes straight for the grilled-meat option. I keep hoping someone will pull this move on me someday. I would love them for the rest of my life. 

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Review: David Wain's 'They Came Together' Starring Paul Rudd and Amy Poehler

Normally, when David Wain is at the peak of his comedic powers he's also at his most bizarre.  His seminal comedy hit Wet Hot American Summer is incredibly ridiculous, offbeat, and distinct in the way that many consider it a classic, while others will probably never get it. Most recently, Wain has been dabbling in more mainstream efforts such as Wanderlust and Role Models, but his latest film They Came Together is a poor attempt to reclaim his indie cred by tearing to shreds the most conventional genre of all: the romantic comedy.

That's right, the old rom-com, which everybody can admit is stale and painfully formulaic. That seems to be the entire point of Wain's film, which stars the bulk of his 'Wet Hot' cast, with Paul Rudd and Amy Poehler in the lead roles as a couple whose love follows a familiar step-by-step path. The problem is that Wain isn't especially clever in pointing out the silliness behind the infamous "meet cutes", contrived romantic obstacles, and phony emotional entanglements that litter romantic comedies. We're all in on the joke right from the beginning, and Wain struggles to make that one joke fly for more than 20 minutes, much less the 83 minute run time.

The whole set-up is basically ripped from You've Got Mail; perhaps the stick by which all formulaic rom-coms will forever be measured. Molly (Poehler) and Joel (Rudd) are at a restaurant on a double date with a bored married couple (Bill Hader and Ellie Kemper), when the dinner conversation turns to how they met and fell in love. All the standard genre tropes are rolled out in a fashion that is initially hilarious because we all recognize them: Molly is an awkward but lovable candy shop owner, so innocent and pure and she gives all of her profits to charity. Joel is nominally her perfect match, but he works for a huge corporation planning to open its own store right across the street and put Molly out of business. When the two meet, of course they are instant enemies despite the obvious physical attraction, but soon they overcome the tension with the help of their stereotypical ethnic best friends.

It's obvious that Wain and his talented cast are having a lot of fun with this, and the film is at its best when it ventures into ludicrous tangents that feel separate from the rom-com shaming. Wain favorite Christopher Meloni co-stars as Joel's money-grubbing boss, and his embarrassing toilet misadventures at a costume party are a highlight. Joel has his group of racially diverse buddies (including SNL vet Kenan Thompson and The State'sKen Marino) who all play basketball (badly) and act as Joel's voices of reason. While these scenes are funny and clever in their own way, you can almost hear the gears grind to a halt during a torturous, repetitive sequence between Joel and a bartender over the phrase "You can say that again". It's one of those scenes that starts off funny, becomes tiresome, but never goes back around to being funny again, and you know that's what Wain was hoping for. The film's weak double-entendre of a title should tell you there's nothing subversive going on here; every joke is pretty obvious.

Unfortunately, there are too many moments just like that one. There comes a point when Hader and Kemper's characters begin to grow weary of the overlong tale, and it's a pretty good reflection of how the audience will feel at that point. Satire is a tough beast to tame, and while some of Wain's jokes are obviously meant to be terrible, surely not so many were designed to fall as flat as they do. Rudd, who has been in more than his share of lame romantic comedies, plays along with the gags and pokes fun at himself most of all. He and Poehler make for a great pair, one that wouldn't be too surprising if they were in a straight-up rom-com at some point, but they just don't have enough material to work with. As a fan of The State and Wet Hot American Summer, They Came Together feels like Wain flailing desperately to reclaim that old magic but finding it simply isn't there.

NOTE: This is a reprinted review from the Sundance Film Festival.

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Two Clips from 'They Came Together' Starring Paul Rudd and Amy Poehler

There's a long history of Paul Rudd, Amy Poehler, and David Wain providing big laughs together, and it's for that reason a lot of eyes are on They Came Together, a deliberately silly "anti rom-com" that tries to rip apart the genre. Rudd and Poehler play a completely cliched couple, like something ripped right out of You've Got Mail and Sleepless in Seattle. She's a candy store owner, he works for a huge conglomerate looking to destroy her business, until they meet cute and everything goes exactly as Hollywood would like it to. Or...not. This is a spoof, after all.

Does the film work? I was completely disappointed in it after a screening at Sundance, saying "Satire is a tough beast to tame, and while some of Wain's jokes are obviously meant to be terrible, surely not so many were designed to fall as flat as they do." But perhaps others will feel differently. Two clips have been released to give you a feel for what Wain is going for, including the basketball scene which is admittedly pretty funny.

Also starring Cobie Smulders, Ken Marino, Bill Hader, Ellie Kemper, Max Greenfield, Ed Helms, and Melanie Lynskey, They Came Together opens June 27th and will be available on VOD the same day.

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First Trailer for David Wain's 'They Came Together' with Paul Rudd and Amy Poehler

Nobody is going to argue that romantic comedies are a mess of cliches that we all recognize on sight. For some, that familiarity can be comforting if looking for a very specific warm and fuzzy feeling. But for others, they probably want to throw every Meg Ryan and Tom Hanks rom-com in a deep, dark hole somewhere as payback for inspiring years of banality. David Wain, the guy behind Wet Hot American Summer, The State, and Role Models, has begun digging that hole with his new film, They Came Together, and here's the first trailer.

Wain has brought back a pair of familiar faces in Amy Poehler and Paul Rudd, playing a couple recounting the story of their meet-cute, which spoofs Sleepless in Seattle, You've Got Mail, and every other lame genre film one can think of. She's the owner of a candy store while he is the white collar stooge whose huge corporation is trying to drive her out of business. Despite a game supporting cast that includes Ellie Kemper, Bill Hader, Christopher Meloni, Jason Mantzoukas, Cobie Smulders, and Ed Helms, the film doesn't quite come together as it should. It's easy to rip to shreds the rom-com genre, and Wain often takes the easiest route to do it. As my review from Sundance notes, Wain is "flailing desperately to reclaim that old magic but finding it simply isn't there".

They Came Together hits theaters and VOD on June 27th. 


THEY CAME TOGETHER by Teaser-Trailer.com

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Sundance Review: 'They Came Together' Starring Amy Poehler and Paul Rudd

Normally, when David Wain is at the peak of his comedic powers he's also at his most bizarre.  His seminal comedy hit Wet Hot American Summer is incredibly ridiculous, offbeat, and distinct in the way that many consider it a classic, while others will probably never get it. Most recently, Wain has been dabbling in more mainstream efforts such as Wanderlust and Role Models, but his latest film They Came Together is a poor attempt to reclaim his indie cred by tearing to shreds the most conventional genre of all: the romantic comedy.

That's right, the old rom-com, which everybody can admit is stale and painfully formulaic. That seems to be the entire point of Wain's film, which stars the bulk of his 'Wet Hot' cast, with Paul Rudd and Amy Poehler in the lead roles as a couple whose love follows a familiar step-by-step path. The problem is that Wain isn't especially clever in pointing out the silliness behind the infamous "meet cutes", contrived romantic obstacles, and phony emotional entanglements that litter romantic comedies. We're all in on the joke right from the beginning, and Wain struggles to make that one joke fly for more than 20 minutes, much less the 83 minute run time.

The whole set-up is basically ripped from You've Got Mail; perhaps the stick by which all formulaic rom-coms will forever be measured. Molly (Poehler) and Joel (Rudd) are at a restaurant on a double date with a bored married couple (Bill Hader and Ellie Kemper), when the dinner conversation turns to how they met and fell in love. All the standard genre tropes are rolled out in a fashion that is initially hilarious because we all recognize them: Molly is an awkward but lovable candy shop owner, so innocent and pure and she gives all of her profits to charity. Joel is nominally her perfect match, but he works for a huge corporation planning to open its own store right across the street and put Molly out of business. When the two meet, of course they are instant enemies despite the obvious physical attraction, but soon they overcome the tension with the help of their stereotypical ethnic best friends.

It's obvious that Wain and his talented cast are having a lot of fun with this, and the film is at its best when it ventures into ludicrous tangents that feel separate from the rom-com shaming. Wain favorite Christopher Meloni co-stars as Joel's money-grubbing boss, and his embarrassing toilet misadventures at a costume party are a highlight. Joel has his group of racially diverse buddies (including SNL vet Kenan Thompson and The State'sKen Marino) who all play basketball (badly) and act as Joel's voices of reason. While these scenes are funny and clever in their own way, you can almost hear the gears grind to a halt during a torturous, repetitive sequence between Joel and a bartender over the phrase "You can say that again". It's one of those scenes that starts off funny, becomes tiresome, but never goes back around to being funny again, and you know that's what Wain was hoping for. The film's weak double-entendre of a title should tell you there's nothing subversive going on here; every joke is pretty obvious.

Unfortunately, there are too many moments just like that one. There comes a point when Hader and Kemper's characters begin to grow weary of the overlong tale, and it's a pretty good reflection of how the audience will feel at that point. Satire is a tough beast to tame, and while some of Wain's jokes are obviously meant to be terrible, surely not so many were designed to fall as flat as they do. Rudd, who has been in more than his share of lame romantic comedies, plays along with the gags and pokes fun at himself most of all. He and Poehler make for a great pair, one that wouldn't be too surprising if they were in a straight-up rom-com at some point, but they just don't have enough material to work with. As a fan of The State and Wet Hot American Summer, They Came Together feels like Wain flailing desperately to reclaim that old magic but finding it simply isn't there.

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First Clip from David Wain's 'They Came Together'

They Came Together a new rom-com by David Wain is being touted as one of the must see's of Sundance this year. Travis is there now so I'm sure we'll be hearing some official word soon, but as for today we have a first look clip for your viewing pleasure. David Wain, a huge director of quick comedy over the last decade, has apparently styled this flick more in the vein of The Ten, or Wet Hot American Summer over the more traditional comedy style of Role Models. I only preface the clip with that information because this style of comedy is not very conducive to quick clips. I'm a big fan of Wet Hot American Summer but I'll be honest that it took about three tries to see the whole thing. The trick is to watch these beginning to end so you can get in the flow of the flick. As you'll see in the below clip, when you pull a scene out and watch it what you get seems like a deleted scene from Movie 43 or a rejected SNL skit, both in terms of acting and content. So with that disclaimer check out the below clip and, hopefully, enjoy!

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'The Raid 2', 'A Most Wanted Man', 'Laggies' and More Added to Sundance Line-Up

After an interesting but unspectacular first crop of announcements, the Sundance Film Festival has come out swinging with the rest of the line-up from the Premieres and Documentaries categories. The one that has me all riled up is The Raid 2, the bone-breaking sequel to The Raid: Redemption. Also worth getting excited for are Anton Corbijn's John Le Carre adaptation A Most Wanted Man starring Rachel McAdams and Philip Seymour Hoffman; Lynn Shelton's Laggies with Keira Knightley and Chloe Moretz; offbeat biopic Frank with Michael Fassbender; Brit Marling and Mike Cahill's I Origins; Marjane Satrapi's The Voices starring Ryan Reynolds; anti-romantic comedy They Came Together with Paul Rudd and Amy Pohler; and White Bird in a Blizzard starring Shailene Woodley.

Check out the latest additions below. Sundance runs from January 16th-26th.

Premieres

Calvary / Ireland, United Kingdom (Director and screenwriter: John Michael McDonagh) —Calvary is a blackly comedic drama about a priest tormented by his community. Father James is a good man intent on making the world a better place. When his life is threatened one day during confession, he finds he has to battle the dark forces closing in around him. Cast: Brendan Gleeson, Chris O'Dowd, Kelly Reilly, Aidan Gillen, Dylan Moran, Marie-Josée Croz.

Frank / Ireland, United Kingdom (Director: Lenny Abrahamson, Screenwriters: Jon Ronson, Peter Straughan) —
Frank is an offbeat comedy about a wannabe musician who finds himself out of his depth when he joins an avant garde rock band led by the enigmatic Frank—a musical genius who hides himself inside a large fake head.
Cast: Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy.

Hits / U.S.A. (Director and screenwriter: David Cross) — A small town in upstate New York is populated by people who wallow in unrealistic expectations. There, fame, delusion, earnestness, and recklessness meet, shake hands, and disrupt the lives around them. Cast: Meredith Hagner, Matt Walsh, James Adomian, Jake Cherry Derek Waters, Wyatt Cenac.

 I Origins / U.S.A. (Director and screenwriter: Mike Cahill) — A molecular biologist and his lab partner uncover startling evidence that could fundamentally change society as we know it and cause them to question their once-certain beliefs in science and spirituality. Cast: Michael Pitt, Brit Marling, Astrid Bergès-Frisbey, Steven Yeun, Archie Panjabi.

Laggies/ U.S.A. (Director: Lynn Shelton, Screenwriter: Andrea Seigel) — Laggies is a coming of age story about a 28-year-old woman stuck in permanent adolescence. Unable to find her career calling, still hanging out with the same friends, and living with her high school boyfriend, Megan must finally navigate her own future when an unexpected marriage proposal sends her into a panic. Cast: Keira Knightley, Sam Rockwell, Chloë Grace Moretz, Ellie Kemper, Jeff Garlin, Mark Webber.

Little Accidents / U.S.A. (Director and screenwriter: Sara Colangelo) — In a small American coal town living in the shadow of a recent mining accident, the disappearance of a teenage boy draws three people together—a surviving miner, the lonely wife of a mine executive, and a local boy—in a web of secrets. Cast: Elizabeth Banks, Boyd Holbrook, Chloë Sevigny, Jacob Lofland, Josh Lucas.

Love is Strange / U.S.A. (Director: Ira Sachs, Screenwriters: Ira Sachs, Mauricio Zacharias) — After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet. Cast: John Lithgow, Alfred Molina, Marisa Tomei, Darren Burrows, Charlie Tahan, Cheyenne Jackson.

A Most Wanted Man / Germany, U.S.A. (Director: Anton Corbijn, Screenwriter: Andrew Bovell) — Based on John le Carré’s bestselling book, Anton Corbijn directs this modern-day thriller with Academy Award–winning actor Philip Seymour Hoffman, Rachel McAdams, Robin Wright, and two-time Academy Award nominee Willem Dafoe headlining an ensemble cast. Cast: Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, Robin Wright.

Nick Offerman: American Ham / U.S.A. (Director: Jordan Vogt-Roberts, Screenwriter: Nick Offerman) — WARNING: MINOR NUDITY AND NOT SUITABLE FOR VEGETARIANS. This live taping of Nick Offerman's hilarious one-man show at New York's historic Town Hall theater features a collection of anecdotes, songs, and woodworking/oral sex techniques. The routine includes Offerman's 10 tips for living a more prosperous life, so hearken well. Cast: Nick Offerman.

The One I Love / U.S.A. (Director: Charlie McDowell, Screenwriter: Justin Lader) — Struggling with a marriage on the brink of falling apart, a couple escapes for the weekend in pursuit of their better selves, only to discover an unusual dilemma waiting for them. Cast: Mark Duplass, Elisabeth Moss, Ted Danson.

The Raid 2 / Indonesia (Director and screenwriter: Gareth Evans) — Picking up where the first film left off, The Raid 2 follows Rama as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and expose the corruption in his own police force. Cast: Iko Uwais, Yayan Ruhian, Arifin Putra, Oka Antara, Tio Pakusadewo, Alex Abbad.

 Rudderless / U.S.A. (Director: William H. Macy, Screenwriters: Casey Twenter, Jeff Robison, William H. Macy) — When a grieving father in a downward spiral stumbles upon a box of his deceased son's original music, he forms a rock 'n' roll band, which changes his life. Cast: Billy Crudup, Anton Yelchin, Felicity Huffman, Selena Gomez, Laurence Fishburne, William H. Macy.CLOSING NIGHT FILM

They Came Together / U.S.A. (Director: David Wain, Screenwriters: Michael Showalter, David Wain) — This subversion/spoof/deconstruction of the romantic comedy genre has a vaguely, but not overtly, Jewish leading man, a klutzy, but adorable, leading lady, and New York City itself as another character in the story. Cast: Amy Poehler, Paul Rudd, Ed Helms, Cobie Smulders, Max Greenfield, Christopher Meloni.

 The Trip to Italy / United Kingdom (Director: Michael Winterbottom, Screenwriters: Rob Brydon, Steve Coogan, Michael Winterbottom) — Michael Winterbottom reunites Steve Coogan and Rob Brydon for more delectable food, some sharp-elbowed rivalry, and plenty of laughs. Cast: Steve Coogan, Rob Brydon.

The Voices / U.S.A., Germany (Director: Marjane Satrapi, Screenwriter: Michael Perry) — This genre-bending tale centers around Jerry Hickfang, a lovable but disturbed factory worker who yearns for attention from a woman in accounting. When their relationship takes a sudden, murderous turn, Jerry's evil talking cat and benevolent talking dog lead him down a fantastical path where he ultimately finds salvation. Cast: Ryan Reynolds, Gemma Arterton, Anna Kendrick, Jacki Weaver.

White Bird in a Blizzard / U.S.A. (Director and screenwriter: Gregg Araki) — Based on the acclaimed novel by Laura Kasischke, White Bird in a Blizzard tells the story of Kat Connors, a young woman whose life is turned upside down by the sudden disappearance of her beautiful, enigmatic mother. Cast: Shailene Woodley, Eva Green, Christopher Meloni, Shiloh Fernandez, Gabourey Sidibe, Thomas Jane.

Young Ones / U.S.A. (Director and screenwriter: Jake Paltrow) — When a series of events is set into motion, altering his young life forever, Jerome is forced to make choices that no child should ever have to make. Cast: Michael Shannon, Nicholas Hoult, Elle Fanning, Kodi Smit-McPhee.

Documentary Premieres

The Battered Bastards of Baseball / U.S.A. (Directors: Chapman Way, Maclain Way) — Hollywood veteran Bing Russell creates the only independent baseball team in the country—alarming the baseball establishment and sparking the meteoric rise of the 1970s Portland Mavericks.

Finding Fela / U.S.A. (Director: Alex Gibney) — Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.

Freedom Summer / U.S.A. (Director: Stanley Nelson) — In the summer of 1964, more than 700 students descended on violent, segregated Mississippi. Defying authorities, they registered voters, created freedom schools, and established the Mississippi Freedom Democratic Party. Fifty years later, eyewitness accounts and never-before-seen archival material tell their story. Not all of them would make it through.

Happy Valley / U.S.A. (Director: Amir Bar-Lev) — The children of "Happy Valley" were victimized for years, by a key member of the legendary Penn State college football program. But were Jerry Sandusky’s crimes an open secret?  With rare access, director Amir Bar-Lev delves beneath the headlines to tell a modern American parable of guilt, redemption, and identity.

Last Days in Vietnam / U.S.A. (Director: Rory Kennedy) — During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.

Life Itself / U.S.A. (Director: Steve James) — Life Itself recounts the surprising and entertaining life of renowned film critic and social commentator Roger Ebert. The film details his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.

Mitt / U.S.A. (Director: Greg Whiteley) — A filmmaker is granted unprecedented access to a political candidate and his family as he runs for President.

This May Be the Last Time / U.S.A. (Director: Sterlin Harjo) — Filmmaker Sterlin Harjo's Grandfather disappeared mysteriously in 1962. The community searching for him sang songs of encouragement that were passed down for generations. Harjo explores the origins of these songs as well as the violent history of his people.

To Be Takei / U.S.A. (Director: Jennifer Kroot) — Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.

We Are The Giant / U.S.A., United Kingdom (Director: Greg Barker) — We Are The Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.

WHITEY: United States of America v. James J. Bulger / U.S.A. (Director: Joe Berlinger) — Infamous gangster James "Whitey" Bulger’s relationship with the FBI and Department of Justice allowed him to reign over a criminal empire in Boston for decades. Joe Berlinger’s documentary chronicles Bulger’s recent sensational trial, using it as a springboard to explore allegations of corruption within the highest levels of law enforcement.

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