The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Monday, October 27, 2014

Review: Tommy Wirkola's 'Dead Snow: Red Vs Dead'



Zombies, cool. Nazi Zombies, infinitely cooler. This is the basic premise under which Dead Snow was originally made back in 2009. To run down the original (which this movie does a great job of recapping for you in the first 10 minutes) a group of friends heads out to a cabin for a ski vacation and discover a box of treasure.  It just so happens that the gold is actually Nazi gold, and opening it awakens a company of dead Nazi soldiers from under the snow and, BOOM, Nazi zombies. From there it’s pretty standard zombie faire, albeit in an awesome way, leaving only one survivor in the end, Martin who was bitten but was able to saw his arm off in time ala Evil Dead 2. Dead Snow: Red Vs Dead picks up immediately following the events of its predecessor with Martin soaking in the viscera and horror of what has just happened which, by the way, includes him accidentally killing his girlfriend with a hatchet…by the way folks, if your significant other is currently rage killing a zombie with a hatchet it’s probably not a good idea to walk up behind them in that moment, just saying. Anyway, as Martin makes it to his car he gets attacked again by a group of zombies including their commander, Herzog. Usually that’s not an issue, just drive away, except for the fact that he has a manual transmission and is missing his right arm. Finally! A decent reason for our hero to not get away immediately when there are monsters outside of your car. As he makes his getaway the Nazi commander is hanging from his car until he gets hit by a passing truck leaving his severed nazi arm flopping in Martin’s front seat. Passing out Martin awakens in a hospital to find that the doctors mistook Herzog’s severed arm for his own, and attached it. With Herzog’s Nazi’s reassuming their old mission to wipe out a small town Martin must jump back in the fight with the help of his new zombie arm all while evading the police who think he killed all of his friends (what? They didn’t buy the old Nazi Zombies killed my friends bit?). 

Does that sound utterly ridiculous to you? In a good way or a bad way? I ask these questions because, in all honesty, my review could end right there. If you answered “in a good way”, you’re going to dig this movie, its really that simple. They take that premise and chock it up with all the great, silly, gory fun of the first film and maybe even a little more. Other than the top level premise almost everything about this movie is pretty standard, from the main plot point of a possessed arm to the zombie kills, you’ve seen it all before…just not like this. Dead Snow: Red Vs Dead is one of those flicks that proves you can put all of those overused tropes of film in your movie and still have a blast of a flick, as long as you do it right! While there is a lot of familiarity to the movie there’s a lot of new ground broken as well, first and foremost being the power of Herzog. He functions almost like the Queen Bee in a hive mentality-laden zombie horde. He can revive the dead by touch and convert the living the same way, no need to bite…a power given also to Martin thanks to the transplant. It’s a really cool switch and melds with the new threat perfectly. Instead of just being brainless flesh eaters the dead are driven to accomplish what they were stopped from doing in life. We find out, as I said previously, that Herzog and his men were on their way to wipe out a small town. What I didn’t mention was that we later find out that Herzog and his men executed a Russian unit on their way there. Seeing Martin, using his newfound zombie powers, bring a group of dead Russian soldiers out of the ground in order to lead them in an undead battle royale against the Nazi’s is a thing of beauty. 

In the mix of all this is the Zombie Squad, an American crew Martin recruits to push the odds in their favor. He thinks he’s getting a paramilitary merc squad, what he gets is a geeky trio lead by Daniel (Martin Star of Freaks & Geeks fame). Here’s where they went in another new direction, instead of being incompetent geeks out of their depths, they actually kick some ass….even if it seems to be mostly luck.  Rounding out the cast of characters is a small town police department who have never seen anything resembling “action”. Disposable but hilarious, the Norwegian branch of the Barney Fife academy really adds a nice touch on top of what is already a bucket of gross undead fun. 

Speaking of gross and undead, let’s get to that gore shall we? I mean, that is one of the major draws of a zombie flick, right? Now I know I said that the kills were standard, and they are, with a special emphasis on pulling out intestines. Where they really excel is in two places, the comedy and the production value. I’m going to guess it would have been much cheaper for this small indie movie out of Norway to use CGI but there are practical effects abounding throughout, I don’t know if I say one obvious CGI shot, and boy does it pay off. The shear ick factor given by the work they did is worth the price of admission, look especially to the first severed head you see, there’s this glazed squishy-ness quality to all of the effects shots that really make you shudder. But, you know, in a good way. One last thing on the effects side of things, really a question more than anything else, why is it that I can watch all the gore this movie can throw at me without batting an eye but the first scene involving vomit immediately makes me squirm? The second place they really get it right is possibly the most important aspect, the comedy. None of this works if it’s not genuinely absurd and funny, especially considering it’s not the least bit frightening. I’m trying to think of a place where they jokes fell flat and, while I’m sure there were some, I can’t remember any. Just now I said it’s absurd and funny, that’s probably better said so absurd it becomes funny, the things they get away with make you laugh, and then make you question whether or not you should feel bad for laughing. Say, two mothers walking their infants in strollers getting blown all to bits by a 70 year old Nazi tank, for instance. I should also include that, though the kids are covered pre-explosion, there is a quick second of a tiny infant flying at the screen. See, now we’re back to “If it’s not funny, it doesn’t work”. 

So what’s the final word? I’ll revert to my earlier question, does this sound utterly ridiculous to you? This is a simple movie to review, there’s no nuance, either it’s your thing or it’s not. If it’s not, I didn’t write this for you, I wrote this solely to remind those who dug it about Dead Snow, and to let them know that Dead Snow: Red Vs Dead is a follow-up that’s just as good, if not better, than the original. 

4 out of 5 Guttenbergs

Tuesday, January 14, 2014

DVD Review: 'Voodoo Possession', Starring Danny Trejo


Horror is a hard genre to pull off. Some of them are your run-of-the-mill types, other attempt to give us some kind of plot, others are just there to frustrate or scare. More often than not, it's hard to strike a balance between all these things to bring the audience an interesting experience that isn't only about the scares. Voodoo Possession tries to be both a scary horror and a more layered psychological film but has a lot of trouble trying to keep up with itself and its ambition to do far too much with too little.

When Aiden (Ryan Caltagirone) was just a little boy, he watched his mother kill herself. He hasn't ever quite gotten over that, but he's managed to move on (with the help of some great medication). Aiden's brother Cody (David Thomas Jenkins) is a doctor working in an insane asylum down in Haiti and is studying what kind of effects voodoo has on mental patients with the help of his assistant Kross (Danny Trejo). 

After Cody disappears without a trace, Aiden and Bree (Kerry Knuppe), a news reporter looking for her big break and Aiden's ex-girlfriend, jet set to Haiti to find Cody. Through the help of a voodoo priest and some crazy experiences with voodoo, they find out that Cody's been taken into the spirit world by the tormentor, a monster who Aiden believes has been after his family for years. 

Voodoo Possession tries very hard at playing the psychological horror story and gives us some semblance of what might have been a more evolved plot if done differently, but there's too much going on in a cramped amount of time that it doesn't play out very well onscreen. The entire movie takes place in Haiti, and it's pretty obvious that the film takes place there only so all the voodoo stuff can be included. 

Director Walter Boholst, with a little more time and a bigger budget, might have had something intriguing on his hands. Some of the scenes set in the spiritual world are cool-looking and a little creepy. But that is overshadowed by the underwhelming, occasionally cringe-worthy and cliche dialogue. Boholst's intentions to try and interlace a layered human story with a ton of voodoo don't really work together and somehow end up taking the audience out of the human story the film so heavily wants to focus on to drive its plot. 

The acting is subpar, though the actors all do try really hard in their attempt to bring real emotion to their characters and their situation. Much to what will be everyone's chagrin, Danny Trejo (Machete Kills), who's the only recognizable actor in the film,  is only in the movie for a brief period of time. And unfortunately his role isn't big enough for him to really drive any part of the movie. 

Boholst thinks big, but his execution is very rough around the edges. He has interesting ideas about guilt being a drive force behind our lives and how it ultimately affects us, but it might have been more intriguing minus all the attempted scares, confusing voodoo twists and turns, and exposition that fill the second act. The film just tries to include a lot and do too much with a small budget and it winds up feeling like an overflowing cup of water that hasn't quenched your thirst. 


Thursday, February 17, 2011

Trailer Time: Insidious, starring Patrick Wilson and Rose Byrne

The last time a James Wan directed flick made it's way to the big screen it was the awful Kevin Bacon revenger, Death Sentence. Not the way you'd expect the career of the man who basically started the Saw franchise to wind up. Thankfully for him things appear to be looking up with some genuinely positive buzz about his latest flick, Insidious. 

Starring Rose Byrne(X-men: First Class) and Patrick Wilson(Little Children), the film is about a family that realizes the body of their comatose son is attracting evil spirits while his mind is trapped in a realm known as The Further.  Spooky!  Insidious is currently making the festival circuit but will be released nationally on April 1st. Check out the trailer below!

Tuesday, February 15, 2011

Trailer Time: 11-11-11, directed by Darren Lynn Bousman

When I first heard of Darren Lynn Bousman's(Saw II) upcoming horror, 11-11-11, flashes of Jim Carrey's awful The Number 23 ran through my brain. I really don't need another boring thriller about a dude who keeps seeing the same numbers everywhere. If it's really that big of a deal he should go play lotto or something.  Now that a trailer has been released for the film, I see that I couldn't have been more off base.

11-11-11 appears to be one hellish thrill ride, and more of a straight-up horror than just an ordinary  psycho-thriller. The film stars a relatively unknown cast(at least to me), and will be released exactly when you'd expect it to be, on November 11th 2011. I wonder if this stuff gets planned out years in advance?  Check out the trailer below followed by the plot, and prepare to be freaked the fudge out!



After the tragic death of his wife and child, famed American author Joseph Crone travels from the United States to Barcelona, Spain to reunite with his estranged brother Samuel and dying father, Richard. However, fate has a different plan for Joseph as his life becomes plagued with strange happenings, and the constant sightings of the number 11. Curiosity quickly turns to obsession, and Joseph soon realizes that this number holds a horrific meaning not only to himself but possibly to all of religion. Isolated in a foreign country with only the support of his companion, Sadie, Joseph soon realizes that 11/11/11 is more than just a date, it’s a WARNING!

Saturday, August 7, 2010

Trailer Time: I Spit on Your Grave

The original title of the 1978 revenge horror film,I Spit on Your Grave, was Day of the Woman.  If you've ever had a chance to check it out, then you probably have a good idea why. It's basically a female empowering vengeance flick, where a loan woman gets bloody retribution against the men who brutally beat and raped her.It came out during a time when a lot of men were threatened at the heightened sexuality and independence of women, and this movie played right into that. I've seen a censored version of the film, but that's it. While made in 1978, it was censored here in the US and didn't actually hit theaters until two years later. That's how violent this thing was. I guess I should've known with similar movies like Last House on the Left getting the remake treatment that it was only a matter of time before I Spit on Your Grave did as well.

So now we have a trailer for the remake, and I gotta admit I'm kinda diggin' it. While I'm no fan of horror, I have a special place in my heart for pretty much all revenge fantasies. Especially the ones that aren't afraid push a few boundaries. Even if it steps over the lines of good taste. The script is by Final Destination creator, Jeffrey Reddick, with Steven R. Monroe behind the camera. I'm expecting this to be a lot of fun, although I can see already that it's going to get trashed by a lot of people. These types of movies are always the most polarizing.  Anyway, check out the trailer, and let us know what you think of it. Are you into violent movies like this? Or do you feel they have no redeeming value whatsoever?  What do you think of the film poster? Do you think it's sexualizing rape? If looked at a certain why, then obviously yes it is.

But on the other hand, do I blame the marketing folks for presenting their film in a way that will attract more viewers? No, I don't.


SYNOPSIS
Writer Jennifer Hills takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer’s presence in the small town attracts the attention of a few morally deprived locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes, the men slowly stop searching for her body and try to go back to life as usual. But that isn’t about to happen. Against all odds, Jennifer Hills survived her ordeal. Now, with hell bent vengeance, Jennifer’s sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her… only much, much worse.