The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label the spectacular now. Show all posts
Showing posts with label the spectacular now. Show all posts

Saturday, December 28, 2013

The 7 Best Movie Duos of 2013


How can anyone resist a great movie duo? Whether they're romantic relationships, friendships, siblings, or bromances, no one can deny that these types of duos, when combined with great actor chemistry and great dialogue, can be what makes or breaks a movie. Movie duos can carry a movie, make us laugh, make us cry, connect with them, or just enjoy their banter. 

So, I've compiled a list of the seven best movie duos of 2013 that have been the most memorable. Once again, I admit to being indecisive, so they're in no particular order because no one is necessarily better than the other, though some might be dearer to my heart than others! 


Her - Theodore and Samantha (Joaquin Phoenix and Scarlett Johansson) 
  • Not many onscreen romantic couples can sway you with a few conversations like Theodore and Samantha did in Spike Jonze's film. Sure, Samantha's an artificially intelligent operating system, but their relationship is natural and full of witty and genuine moments that it's kind of hard not to like them.  

The Kings of Summer - Joe, Patrick, and Biaggio (Nick Robinson, Gabriel Basso, Moises Arias)
  • Ok, so this is technically cheating because it's a trio and not a duo, but Joe, Patrick, and Biaggio wouldn't be anything without the other in some way. And so, I've gone and included all three of them. Initially, Joe and Patrick leave their parents and build a house in the middle of the woods, learn to be independent and grow. Biaggio doesn't so much tag along so much as he just kind of blends in. He's the middle man and weird persona who keeps the peace... and the humor. 

Philomena - Philomena Lee and Martin Sixsmith (Judi Dench, Steve Coogan)
  • Judi Dench and Steve Coogan make for a great dynamic duo. Based on a true story, Martin Sixsmith helps Philomena search for her long, lost son who was adopted without her consent fifty years ago. Coogan and Dench have an easy relationship and although they seem to be polar opposites, their interactions are filled with witty banter and deep conversations. 

Rush - Niki Lauda and James Hunt  (Daniel Bruhl, Chris Hemsworth)
  • Hollywood loves making sports movies, but it's been awhile since there's been one that makes you really feel for the characters. Ron Howard gets it right when he decided to make a film about the rivalry between Formula One racers James Hunt and Niki Lauda. Daniel Bruhl and Chris Hemsworth have an onscreen bitterness and hatred towards each other, but the duo respect the other underneath it all. Bruhl and Hemsworth prove that angry looks and quick-witted banter works regardless of the movie subject. 


The Spectacular Now - Sutter and Aimee (Miles Teller, Shailene Woodley)
  • Rarely do teen films these days make any lasting impressions. Half the time, they make teens look stupid, shallow, and uninteresting. This film does the opposite and what makes the film even more special is the chemistry and relationship between Teller and Woodley. They have a natural and genuine relationship that builds on friendship before moving into romance. They make a great duo simply because they work really well together in all respects. 


Star Trek Into Darkness - Spock and James T. Kirk (Zachary Quinto, Chris Pine)
  • Probably one of the most well-known and loved duos is the friendship between Spock and Kirk. That doesn't change in J.J. Abrams' reboot of the franchise nor in its sequel. Spock's logic vs. Kirk's emotionally-fueled decisions makes for a great balance and their constant banter makes for great entertainment all while keeping the momentum of the film going. 


White House Down - President Sawyer, Cale (Jaime Foxx, Channing Tatum)
  • The White House took a double hit in 2013 with both this film and Olympus Has Fallen. But only a duo that includes Tatum and Foxx is worthy of any kind of respect. The film has drama mixed with humor, and a lot of it is thanks to them. If there was any doubt that Tatum's character wasn't qualified to protect the president, all doubt is removed when you see the two of them working side by side. 

Thursday, December 26, 2013

The PDC Staff Picks the Most Underrated/Overrated Movies of 2013



To call something overrated or underrated is usually pretty controversial, but especially when you're a critic. What it tends to mean is that you're battling back against the popular opinion of learned colleagues, and those discussions can get pretty heated. It's not as simple as saying "Hey I like this better", what you're saying is a certain movie doesn't deserve the respect it's getting, or another is deserving of more than your colleagues are willing to give. There's a little bit of personal criticism that comes with it that can't really be avoided.

We here at the Punch Drunk Critics engage in our share of disagreements (Julian is dead wrong about Man of Steel and he knows it!!) in which one of us has had to face an uphill climb to back or rip a certain film we feel strongly about. And so we got together to list the movies we felt were underrated or overrated during 2013, and as usual it turned out pretty interesting. Enjoy. And no, Anchorman 2 isn't on anybody's list, but it probably should be.

Roxana Hadadi

UNDERRATED

Teens in 2013: The Kings of Summer, The Bling Ring, The Spectacular Now

When did everyone stop caring about movies starring teenagers, unless they were Twilight or The Hunger Games? The ‘80s and ‘90s were full of great coming-of-age films, and yet it feels like the 2000s have been shortchanged when it comes to the genre—which was especially frustrating when 2013 saw the release of some great teen-centric films that were slapped with R ratings, isolating them from the younger audiences who really should have been seeing them. No surprise, then, that the three movies were promptly forgotten by moviegoers. The summer releases of The Kings of Summer, The Bling Ring, and The Spectacular Now went largely unnoticed by the general public—bringing in about $1.5 million, $19 million, and $6.8 million, respectively—which is frustrating given how well-acted, emotionally true, and affecting they all were. If Emma Watson licking her lips and dancing seductively in a club couldn’t get people out for Sofia Coppola’s “Bling Ring,” then The Kings of Summer (about three boys who rebel against their parents and run away) or The Spectacular Now (about young love between a teen alcoholic and his too-kind-for-her-own-good classmate) didn’t have a chance. And yet these are movies that you need to see, to remember how those ages felt and to wrap yourself in the yearning and desire and freedom that went along with adolescence. We shouldn’t forget those feelings, or these films.

OVERRATED
Gravity

Sure, Alfonso Cuarón’s film starring Sandra Bullock and George Clooney was undeniably beautiful—to look at. But can we all admit that the story was lacking; the dialogue sometimes clunky and frustrating; and the final plot twist obvious and expected? Bullock’s and Clooney’s performances were solid and the tension omnipresent, but the fantastic visual effects, for me, didn’t engross me in the story; they kept me outside, looking in. Instead of feeling engrossed, I felt like an interloper. Gravity is a visual achievement for sure, but let’s not pretend it was the best film of 2013.

+Julian Lytle 

UNDERRATED
Rush

Man I don’t understand why there isn’t more people talking about one of the best films I’ve seen all year and clearly the best sports film all year. Let’s be honest here movies about the actual sport of car racing are pretty much boring. For me the greatest film in the car racing genre is Talladega Nights. Now you can say “Julian don’t you love The Fast and Furious franchise” and I say “ Man that ain’t about no sports, that’s about awesomeness”  but seriously Rush got me so involved in this story of these two men James Hunt and Niki Lauda probably got me the most invested in two characters this whole year. It let me see Chris Hemsworth as something other than Thor and it showed me just how good of an actor Daniel Bruhl is. Between this and Cinderella Man, Ron Howard has the lock on making dude movies that make dudes cry.

OVERRATED
The Butler

Man I don’t really even get how this movie is doing so well. This movie is essentially "Black Forrest Gump" in terms of the way it handled its main character’s travel through history. I think for me main issue with the movie is how it’s far too loose with the facts for to completely sell itself on being a TRUE story. For all the acclaim for Oprah’s performance I think what bothers me the most is that her character arc makes no sense at all. It didn’t work for me and it’s one of the few times where I don’t get how or why it worked for many others. I think this half decent movie is being boosted by the situation of Hollywood neglecting an audience.

+Travis Hopson

UNDERRATED
Blue Caprice

I don't shock easily; nor do many movies come out of nowhere and punch me in the face quite as hard as Alexandre Moors' Blue Caprice. One of the very first films I saw this year back before it ever had a hint of distribution, the subject matter was both worrying and intriguing. The Beltway Sniper shootings of more than a decade ago are still an open sore here in the District, and other movies on the matter have done a good job of sensationalizing it. But not Moors, who instead turns it into a terrifying character study on killer John Allen Muhammad, played with unsettling efficiency by Isaiah Washington, and the forces that turned him into a monster. Moors and writer R.F.I. Porto delve deep into Muhammad's twisted, "me against the world" psyche, but the real trick is how they make us understand without sympathizing. They're also quick to show how quickly Muhammad's sickness can be spread as he takes on a fatherly role to the wayward Lee Malvo (Tequan Richmond), the two forming a deadly and disturbed pair taking out their frustrations with the world on total strangers. But this isn't about the shootings themselves; it's about the shooters, and by the time they finally do take up arms we are sufficiently shaken to our boots. I turn up my nose every time I hear someone listing the likely Best Actor contenders because Washington's name is never mentioned when it needs to be in the discussion.

OVERRATED
Blue Jasmine
Two movies with Blue in the title? Guess what my back-up choice would have been? Yep, Blue is the Warmest Color. So overrated. But no, Woody Allen's Blue Jasmine wins it, mainly because it sits at a staggering 91% right now on Rotten Tomatoes, which boggles my mind. You ever ask anybody what they like about the film? The answer is always the same: Cate Blanchett. Well, first of all nobody should be surprised by that. But second, she's not that damn good, and the problem with her can be laid at Allen's feet. Allen has never been the type to hover over his actors and give them notes on how to play a scene (unless they're playing a role he would've done himself), and there were a handful of times when someone needed to rein Blanchett's twitchy self in just a little bit. Tone it down a notch, take it up a notch, whatever. She's good, but let's not go overboard because she insults a lot of people and always has a drink in her hand. Speaking of insults, Allen's ruminations on class divisions  are amateurish at best. Whether it's the blue collar working stiffs or the high-minded rich everybody falls neatly into caricature, and Allen doesn't seem the least bit interested in exploring what really makes these people tick. Throw in a couple of extraneous characters; you could merge Bobby Cannavale and Andrew Dice Clay and the story wouldn't miss a beat; and what you've got is another decent if uninspiring Woody Allen effort. Can he go back to just touring us through Europe, please?

+Mae Abdulbaki 

UNDERRATED
Rush

Like Julian, I'm surprised that this film kind of came and went and never really got the attention it deserved. People just seemed to forget about it and it flew right under the radar, becoming overshadowed by its competitors. What's great about Rush is that you don't have to know that much about race car driving because Ron Howard chooses to focus on the film's main characters and their rivalry and interactions with each other. It's a film for everyone really, and is able to balance great drama and emotion, sprinkled with lighter moments throughout and, of course, race cars. Daniel Bruhl and Chris Hemsworth are both fantastic in their roles as real race car drivers Nikki Lauda and James Hunt, respectively, and make the movie all the more worthy of watching.  Overrated Captain PhillipsThe first time watching this film didn't really do anything for me. Sure, it's Tom Hanks, but really Barkhad Abdi is much more entertaining as a character than Captain Phillips ever was. Yes, I also know that it's based on a true story, but the whole film was underwhelming, Tom Hanks' performance only great in the last few minutes of a film that goes on for far too long and doesn't carry enough emotion. Watch A Hijacking. It's not based on a true story, but its premise is generally the same and is a much higher quality film.

OVERRATED
Captain Phillips

The first time watching this film didn't really do anything for me. Sure, it's Tom Hanks, but really Barkhad Abdi is much more entertaining as a character than Captain Phillips ever was. Yes, I also know that it's based on a true story, but the whole film was underwhelming, Tom Hanks' performance only great in the last few minutes of a film that goes on for far too long and doesn't carry enough emotion. Watch A Hijacking. It's not based on a true story, but its premise is generally the same and is a much higher quality film.

John Nolan

UNDERRATED
Disconnect

As per usual I go against the rules…or rather misunderstand the rules. I had to put in my due diligence before choosing Disconnect here and the consensus on RottenTomatoes.com holds this flick at a fresh 68%, so the issue here isn't’t really that people were saying it was bad…it was more that they weren't saying it was good loud enough for the audience to hear. The genius of this movie is that it works on two totally different levels, one of which the director did not intend (though I’m not sure how he didn't see this aspect of the interpretation coming). Disconnect is a movie of intertwining story lines, ala Crash, all revolving around the dangers of the internet… be it identity theft, online bullying, or underage webcam sex workers, this is the description the film’s director,  Henry Alex Rubin, hates. He prefers to think of it as a film about innocent lies with dire consequences, the realization that our preconceived notions are extremely off, and the odd way we can connect anonymously with people whom we would never associate with face to face. It’s win win, you can watch this film on a surface level and be extremely entertained, if not a bit freaked out. You can also watch it on the deeper meaning level and have your world view…or at least certain specific views, brought into question. A film that never got the attention it deserved and will sadly fall into the void of overlooked films Disconnect is easily my most underrated film of the year.

OVERRATED
Inside Llewyn Davis

I’ll just get this out of the way, Oscar Issac is amazing in the film, that part of this movies hype is deserved. This movie was very Drive-like in that there are a lot of silent and awkward scenes, the biggest difference is that Issac says more with a look than most do with their complete faculty’s… even with that the awkward feel is overbearing. The best way I can describe my feelings on this flick is to compare it to something you’d see in an art gallery. You know the old cliché where all the rich ladies in their mink coats with their monocled husbands standing close by, checkbook in hand, talking about the genius of a particular work. Then you walk up to see said work and it looks like someone sneezed on a canvas with a bloody nose and called it something catchy like “Eternalus” or some other pretentious made up word…yeah that’s how I felt about Llewyn Davis outside of Issac’s performance. You need only know that there was talk of a best supporting actor nomination for John Goodman, who I normally love, who’s entire performance consisted of acting like a stoned whacked out weirdo who spoke nonsense randomly for 5 minutes in the middle of the movie. I. JUST. DON’T. GET. IT.

Monday, December 23, 2013

Travis Hopson's 15 Best Movies of 2013



When it comes to ranking the best or worst of anything, I'm a total obsessive about it. The process begins with day one of the new year and runs all the way through to the end. That doesn't make it any easier, mind you, in fact it makes sorting through the many movies I see each year (nearing 230 at the time of this post) all the more difficult. And 2013 has been especially tough because this has been one of the most stacked movie years I can remember, and it has nothing to do with the summer blockbuster season, which in general was a massive disappointment. By contrast the typically dreadful winter season was full of high-quality gems which sadly will be overlooked come Oscar time (but not by me!), and because of that there are more brilliant movies than ever to choose from. Which is just one reason why I've expanded my Top 10 to 15...that and to cut down on the usual flood of emails asking "How could you leave (insert movie here) off your list?!?!” Hey, if my list isn't good enough then maybe you'll be more interested in our Best Overlooked Films, Best (and Worst) Onscreen Kisses, and Hottest Leading Ladies as we tie a neat little bow on 2013.

Enough rambling, let's just jump right in.

15. The Place Beyond the Pines
Director: Derek Cianfrance
Cast: Ryan Gosling, Bradley Cooper, Eva Mendes, Dane DeHaan, Ray Liotta

How is it that everybody has forgotten Derek Cianfrance's sprawling The Place Beyond the Pines? Never mind that it features the only good performance by Ryan Gosling this year, overshadowing Bradley Cooper just as he was overshadowed by other superior talents in American Hustle, but the film is a truly ambitious look at the legacy of violence wrapped in complicated narrative structure few directors would even dare.

14. The Act of Killing
Director: Joshua Oppenheimer

Like horror movies? Great, then you need to check out Joshua Oppenheimer's chilling documentary The Act of Killing.  You won't see Hollywood celebrating this "movie about movies", which offers probably the clearest look at the impact of our violent movie culture. Oppenheimer, who had gone to Indonesia for totally different reasons, ended up meeting Anwar Congo and a number of other movie-loving gangsters who had committed wholesale genocide of Communists and other enemies of state back in the 1960s, and have been living for decades as heroes, unabashedly boastful of their murderous actions. Convincing them to reenact the slaughter in the style of their favorite movies, the film becomes a deeply disturbing, darkly comic (which is even more unsettling) film about redemption and the power of cinema.

13. The Wind Rises
Director: Hayao Miyazaki

If The Wind Rises truly is Hayao Miyazaki's final movie, the legendary Studio Ghibli founder has gone out on top.  Setting aside his impressive resume of fantasy classics, Miyazaki has been living in the real world more often of late, co-writing the post-WWII drama From Up on Poppy Hill and now with The Wind Rises he explores a similar time in Japan's difficult history. As complete and fully-realized as any biopic that emerged this year, the film tells the story of engineer Jiro Hirokoshi, a dreamer who would ultimately design the Zero Fighter plane used during the war. The aeronautical details are fascinating in and of themselves, but so is Hirokoshi's personal story as an obsessive artist in love with his craft and the one woman who accepted him for who he was. There's been a lot of controversy over what the film doesn't say, but none of that matters in the long run. All I know is when the movie was over I spent the next couple of hours online reading literally everything I could find on Hirohoshi. That never happens.

12. The Hunger Games: Catching Fire
Director: Francis Lawrence
Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman, Jena Malone

Comparisons to The Empire Strikes Back have been flying around pretty easily, but for once they actually make a bit of sense. Catching Fire isn't just a better movie than The Hunger Games, it's bigger, handles the social and political themes with more nuance and raises the stakes in a way that changes the tenor of the franchise. And of course right at the center of it is the quietly confident Jennifer Lawrence (so different than her chaotic role in American Hustle), aided by great supporting cast that only got better with the additions of Philip Seymour Hoffman, Jeffrey Wright, and the ferocious Jena Malone.

11. Fast & Furious 6
Director: Justin Lin
Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Luke Evans, Jordana Brewster

Okay, let's be honest: these movies are dumb as bricks, but nothing else can be counted on to deliver bigger bang for the buck and more "holy shit!" moments than Fast & Furious. The latest is a cornucopia of improbable car chases, crashes, and mid-air battles, led by an ethnically-diverse superstar cast that we've come to look at as family. As silly as they may be on screen, the genius of these movies is that they treat their audience with respect and give them exactly what they want year in and year out.

10. The Kings of Summer
Director: Jordan Vogt-Roberts
Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman

Jordan Vogt-Robert's impressive directorial debut The Kings of Summermay take some of its cues from 1980s childhood classics The Goonies and Stand By Me, but it quickly becomes apparent this quirky, funny little gem is doing its own thing. This timeless and slightly surreal comedy stars a handful of unknowns in Nick Robinson, Gabriel Basso, and the goofy Moises Arias, as friends eager to get out from under their parents' shadows (including the gruff and hilarious Nick Offerman) by building their own home in the woods and living off the land. Subverting the genre and shattering preconceived notions all the way, the adults and kids are given equal consideration without a hint of irony, taking us on a journey that is both funny and poignant. But more than that, it's refreshing to see a comedy that doesn't take the cinematography for granted, and The Kings of Summer is a genuinely beautiful movie with big, sweeping sun-kissed images that will burn into your memory.

9. Trance
Director: Danny Boyle
Cast: James McAvoy, Rosario Dawson, Vincent Cassel

When Danny Boyle wasn't busy plotting the most recent Olympics, he was figuring out way to make mincemeat out of our brains with Trance. While it seems to have been overlooked since it came out early this year, there were few experiences I had more fulfilling than Boyle's delirious, pulsing heist thriller, with all its twists, turns, and palpable sexual energy. James McAvoy, Rosario Dawson, and that darn smirking Vincent Cassel have never been better in their careers in ever-shifting roles that constantly reframe who we think is worth trusting. The simple answer is "nobody".

8. Before Midnight
Director: Richard Linklater
Cast: Ethan Hawke, Julie Delpy

Before Ethan Hawke embarrassed himself later in the year with Getaway, he would find much greater success in the continued 20-year collaboration with Richard Linklater and Julie Delpy in Before Midnight. The third film in the dialogue heavy series gives fans everything they think they've wanted for so long, finding Jesse and Celine married with kids, and as argumentative as ever. For two breathtakingly gorgeous hours walking with them through the Greek Isle, they discuss love, sex, family, and more in a way that feels remarkably natural. But true to this series' nature, their conversations don't go where we expect them to, veering down a dark path that forces us to question whether they were truly meant to live happily ever after.

7. Spring Breakers
Director: Harmony Korine
Cast: Selena Gomez, Ashley Benson, Vanessa Hudgens, James Franco, Rachel Korine

James Franco gives head to a gun at one point in Harmony Korine's wild, neon spectacle Spring Breakers. Reason enough for me to put it in my Top 10, along with Franco's unforgettable drawl "Spring break forever, ya'll!" that is unquestionably the quote of the year. Some have been quick to write off the film as just another look at teen rebellion and excess, and while those are indeed factors there's a lot more going on beneath the surface. Looking like it was set on fire by candles made of Starbursts, the film and its army of half-naked starlets tosses aside any notions of normalcy and rips away at the facade of American culture. There's nowhere safe from the corrupting influence of sex, drugs, and violence; and while these are familiar ideas for Korine we've never seen them presented quite like this.

6. Gravity
Director: Alfonso Cuaron
Cast: Sandra Bullock, George Clooney

Full disclosure: Gravity had been sitting in my top 3 until only recently, which just goes to show how strong the last few weeks of movies have been. That's not taking anything away from what Alfonso Cuaron accomplished with Gravity, a film that endured a troubling production process to become one of the year's biggest hits, and an experience I think defines what going to the movies is all about. If movies are designed to take us into a world we can never hope to experience ourselves, then Gravity is the closest any of us will ever get to being in space. Cuaron captures the terrifying beauty of space in all its glory, fully immersing us into the impossible journey home of two stranded astronauts, played Sandra Bullock and George Clooney. What Cuaron accomplishes is so far-reaching that it's easy to overlook the contributions the actors make, but Clooney's reservoir of charm is the perfect balance to Bullock's desperation.

5. The Wolf of Wall Street
Director: Martin Scorsese
Cast: Leonardo DiCaprio, Jonah Hill, Kyle Chandler, Margot Robbie, Rob Reiner, Jon Bernthal

My first thought after the credits rolled on Martin Scorsese's 3-hour symphony of greed and depravity was, "How in the hell did this not get an NC-17 rating"??? Seriously, there are so many heinous acts committed in this constantly hilarious film, by none other than Hollywood golden boy Leonardo DiCaprio, that you need to see it multiples times just to properly sort them all out. When midget tossing is on the low rung of the immoral totem pole then that's really saying something, but let's just say cocaine gets snorted out of more orifices than I think it was ever meant to. While Goodfellas is clearly the model here in just about every respect, the film treads its own path in the story of Wall Street whiz kid Jordan Belfort, who starts from nothing before becoming top don at the craziest brokerage firm in the world. Besides DiCaprio, the film is bolstered by great supporting turns by Jonah Hill, Rob Reiner, and a chest-thumping Matthew McConaughey.

4. American Hustle
Director: David O. Russell
Cast: Christian Bale, Amy Adams, Jennifer Lawrence, Bradley Cooper, Jeremy Renner

Another film taking its cues from Goodfellas, David O. Russell's American Hustle is the most fun you'll have being conned all year. Very loosely based on the political Abscam scandal of the late '70s, which Russell knows you don't really give a fig about, this glitzy messy crime caper is a whirl of double-crosses and broken hearts, told through the questionable lens of a con-couple played by Christian Bale and Amy Adams. Throw in Jennifer Lawrence as Bale's chaotic wife, Bradley Cooper (and his curly 'do) as a scheming FBI agent, not to mention a game Jeremy Renner and you have the recipe for a film that is so dynamic it's easy to look over the plot's significant flaws.

3. 12 Years a Slave
Director: Steve McQueen
Cast: Chiwetel Ejiofor, Lupita Nyong'o, Michael Fassbender, Brad Pitt, Benedict Cumberbatch

One does not really enjoy a movie like 12 Years A Slave. You endure it. You experience it, and Steve McQueen's harrowing drama is the most unflinching look at the slavery era we've ever seen captured on film, TV, anywhere.  McQueen brings his aloof approach to the unbelievable true story of Solomon Northrup (Ejiofor), a free black man kidnapped and forced into brutal slavery under the whip of masters ranging from coldly dismissive to sadistic. If Alfonso Cuaron's cast us adrift in the darkness of space, McQueen entraps us into the horrors of the antebellum South and never lets us escape its grip even for a moment.

2. The Spectacular Now
Director: James Ponsoldt
Cast: Shailene Woodley, Miles Teller, Brie Larson, Kyle Chandler, Mary Elizabeth Winstead

When I get asked why I make it a point to attend the Sundance Film Festival every year, the answer is because of movies like The Spectacular Now. One of the very first things I saw way back in January, after my glowing review I remarked that it was almost a certainty to be at or near the top of my 'Best Of..." list, regardless of how many great movies may follow it. And that has held true, obviously. Good to know I'm a man of word in this case. What struck me right off the bat was how far it sets itself apart from other teen romances. The teens all look and sound like normal everyday people, not the easily recognizable stereotypes we see perpetuated constantly in any number of similar movies. Showing the emotional range he displayed opposite Nicole Kidman in Rabbit Hole, Miles Teller plays life-of-the-party high school senior Sutter Keely, with Shailene Woodley as the shy and disarmingly beautiful Aimee Finicky. We're treated to their courtship, which evolves naturally from mentorship, to friendship, to eventual romance, but from there it goes into unexpected territory as Sutter's personal demons threaten to engulf them both. Directed with an observant eye by James Ponsolt, it's probably the closest any film has come to matching the sincere tone of those great John Hughes movies we all love. The Spectacular Now deserves to be in the same conversation with all of them.

1. Short Term 12
Director: Destin Cretton
Cast: Brie Larson, John Gallagher Jr., Keith Stanfield, Rami Malek, Kaitlyn Dever

The top two picks on this list are pretty much interchangeable for me, and if asked what my favorite movie of the year is tomorrow I may have the positions swapped. But right this very second Destin Cretton's masterful Short Term 12 sits at the top. It's a small film with big hopes, big ambitions, and big emotional stakes as we follow the mentors and charges at a foster care facility for at-risk teens. At the center of it is Grace, played with vulnerability and passion by one of my favorite actresses, Brie Larson. Her perfectly nuanced performance ranks as one of the year's finest, even if I think the Academy will ultimately overlook her. The script by emerging star Destin Cretton is a thing of beauty, hitting on all of the right emotional beats as it skillfully studies the devastating effects of abuse on its survivors. And while sometimes that exploration can get pretty bleak, Cretton never lets us totally give up hope, imbuing the film with an everlasting humanist spirit.

Sunday, December 22, 2013

Best (and the Worst) Onscreen Kisses of 2013


I’m of the age that during my middle-school and high-school years, the MTV Movie Awards were actually kind of enjoyable! And that was really only because of the Best Kiss award, which—before it got swept up in terrible “Twilight” hype—was pretty cute. I’m looking at you, Ryan Gosling and Rachel McAdams. Look up that kiss on YouTube and try to tell me love isn’t real!

Anyway, along the lines of great kisses, here’s a list of my five favorites from film in 2013. I also included my least favorite kiss for equality. And if you think you’ve got something better, sound off in the comments. I’m always down for a little fighting to go with my loving.

BEST KISSES OF 2013

THE SPECTACULAR NOW


The first kiss between Sutter (Miles Teller) and Aimee (Shailene Woodley) in “The Spectacular Now,” one of this year’s most underrated movies. Before their love story gets too soaked in alcohol and Sutter’s own self-sabotage, their first kiss—spontaneous, during an afternoon party in the woods, pleasing Aimee while also catching her off-guard—sets the tone for what’s to come, both the good and the bad.

AMERICAN HUSTLE


That vengeful, hate-filled kiss that Rosalyn (Jennifer Lawrence) lays on her husband’s mistress, Sydney (Amy Adams), in a casino bathroom in “American Hustle.” A million fan-fictions were born from that angry, sloppy, lipstick-smearing smooch, which Rosalyn used as a way to psych out Sydney. Mission accomplished.

SPRING BREAKERS


The three-way kiss between Brittany (Ashley Benson), Candy (Vanessa Hudgens), and Alien (James Franco) as they swirl around the pool together, celebrating their new life of hedonistic debauchery? That sums up “Spring Breakers” in a nutshell: over-the-top, vaguely off-putting, but entrancing nonetheless. Sure, you may want to turn away from the grossness of that kiss—but you won’t.

THE GREAT GATSBY


You know what’s never explicit in F. Scott Fitzgerald’s “The Great Gatsby”? That Jay Gatsby and Daisy Buchanan have a sexual relationship. You know what is rightfully clear in Baz Luhrmann’s version of “The Great Gatsby”? That they do. There is something rotten and lustful and idealistic running through the novel, and Luhrmann touches into it correctly by putting Jay and Daisy in bed, rolling around in a passion that is built on utterly false pretenses. Some book purists freaked out; I think the emotional truths, though, win out.

PACIFIC RIM


OK, so Raleigh Beckett (Charlie Hunnam, drool) and Mako Mori (Rinko Kikuchi) don’t actually kiss in “Pacific Rim.” But were there few scenes more sexually charged this year than their sparring session, or more heartwarming than their embrace at the end of the film after they saved the world? Nope. For all who thought “Pacific Rim” was just a “Transformers” knockoff, reevaluate your decisions. Nothing in any of the “Transformers” films was as affecting as either of those moments.

WORST KISS OF 2013

THE HUNGER GAMES: CATCHING FIRE


That second kiss between Katniss and Gale in “The Hunger Games: Catching Fire.” UM, THEY ONLY KISS ONCE IN THE BOOK, GUYS. WHY WOULD YOU ADD A SECOND KISS? NOT COOL AND UNNECESSARY AND RUDE. (Uh, I may be Team Peeta.)

Thursday, August 8, 2013

Review: 'The Spectacular Now' Starring Shailene Woodley and Miles Teller


 NOTE: This is a reprint of my review from the Sundance Film Festival.
There's a very real danger in simply living in the moment. While it may sound exciting and adventurous, it also invites complacency and stagnation, a dangerous cocktail made more lethal when alcohol is thrown into the mix. While this may sound like a proper lead-in for director James Ponsoldt's previous Sundance hit, Smashed, it serves equally well for his wonderful coming of age story, The Spectacular Now.

Teen romances are a dime a dozen, but it's rare to find one that has so much meaning and isn't just an excuse to pair up two beautiful people. The film deals believably and honestly with teen anxieties about the future, while also exploring the familial impact of addiction. If that sounds like potentially weighty stuff, that's because it is. Emotions run high from the very beginning and never let up even for a moment, from the joys of first love to painful examinations of one's self worth. Aided by tremendous performances by Miles Teller and Golden Globe nominee Shailene Woodley, we may be looking at one of the year's first truly great films.

Before it gets to all that, the story may look and feel quite familiar. Sutter Keely(Teller) has everything that a high school senior could want. He's popular, forming the elite power couple with his girlfriend Cassidy(Brie Larson), and is always the life of the party. He's also a functioning alcoholic, taking quick sips from his flask at all hours of the day. As the school year begins to draw to a close, thoughts turn to the future. Cassidy, wanting more for herself than just a fun time, dumps him suddenly. Dealing with it the only way he knows how, Sutter drinks himself into a stupor, waking up on the lawn of Aimee Finicky(Woodley), an average and mostly invisible girl from school.

Aimee is a beauty, but doesn't have the confidence in herself for others to see it. On the other hand, Sutter is the complete opposite. A completely charismatic figure with no fear of anything, the two begin a relationship that quickly blossoms into something more. Ponsoldt captures their budding love sweetly and without pretension. The two are a perfect mix on the surface. He emboldens her to stand up for herself and live a little, while she keeps him grounded enough to prevent a total meltdown. Through one another, they learn to deal with their various family issues with strength. Both come from broken homes, albeit via different means, and the added responsibility from such an arrangement has impacted them both. Most telling is the disappearance of Sutter's father (Kyle Chandler), who left the family under bad circumstances years earlier, leaving his mother(Jennifer Jason Leigh) to fend for herself. Sutter carries hopes that his father will someday enter back into his life, despite his family, including his sister(Mary Elizabeth Winstead) hoping for the complete opposite.

The film smashes all genre clichés with its authentic portrayal of the two lead characters. It's always a trap of teen romances to turn it into yet another version of She's All That, with a quick make-over and a cool new boyfriend changing the female's life forever. It's not that simple here, and Woodley captures Aimee's shyness and vulnerability without pushing it on us. While she was excellent in The Descendants and deserving of the acclaim she received, this is a role that requires more maturity and nuance, and the results may again see her in awards company. Teller, who gave as good as he got opposite Nicole Kidman in Rabbit Hole, is no less extraordinary as a guy trying to mask his insecurities under a shield of jokes and liquid courage.

Movies like this tend to do great business at festivals, but don't always measure up after general audiences get done with them. Although writers Michael H. Weber and Scott Neustadter know a thing or two about turning teen romance into a critical and box office powerhouse, having written the whimsical (500) Days of Summer a few years ago. Much like that film, The Spectacular Nowisn't satisfied with giving us the same old fluff, it aims for something deeper and lands a direct hit.

Interview: 'The Spectacular Now' Screenwriters Michael Weber & Scott Neustadter


Those who have been following the site for awhile know that I've been talking up The Spectacular Now for months. Catching the premiere at Sundance earlier this year, it was instantly clear to me that I had just witnessed a truly special film, the type that a lot of people are going to fall in love with, just as I had fallen in love with it. Based on the novel by Tim Tharp and starring Shailene Woodley and Miles Teller, it's a teen romance free from cynicism and the artificiality that has plagued the genre for so long. In that way, it felt like a welcome callback to the great works of John Hughes.

Two of the men responsible for the heights The Spectacular Now achieves are screenwriters Michael H. Weber and Scott Neustadter, who also wrote my top film of 2009, (500) Days of Summer. So I was ecstatic to have a chance to talk to them both about their careers, their fondness for John Hughes movies, and why they love working with Woodley so much. Check out that interview below...


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Friday, August 2, 2013

*CLOSED*'The Spectacular Now' Advance Screening


You've heard me singing the praises of James Ponsoldt's The Spectacular Now for months, so I probably don't need to do it again. The film stars Shailene Woodley and Miles Teller, and with echoes of the great works of John Hughes depicts with heart and humor a tale of young love. It's my favorite movie of the year, so of course I'd like to give you a chance to see it early by attending a free advance screening held on Wednesday August 7th at 7pm at Landmark E Street in Washington, DC.

To qualify, you MUST be a fan of Punch Drunk Critics on Facebook,so if you haven't "Liked" us yet please go there and do so now. Simply leave a comment here with your name, email address, and favorite John Hughes film We'll be using the Gofobo ticketing system for this one, so you'll need to register there as well. Winners will be notified on Sunday August 4th and will receive a Gofobo code for you and a guest.

The Spectacular Now opens on August 9th!

Wednesday, July 24, 2013

Shailene Woodley and Miles Teller Kiss In New Clip from 'The Spectacular Now'


Want to know what pissed me off the most during Comic-Con? Well, besides getting bumped into by a thousand guys all wearing the same Thor costume (was it the same dude, maybe?), what really bugged me was that during the entire Divergent panel nobody bothered to ask Shailene Woodley and Miles Teller about the first time they worked together, on the extraordinary teen drama, The Spectacular Now. Maybe it's not a film that would normally appeal to the geek fanbase, but I guarantee it blows away anything that was on display in Hall H that day.

After releasing the first trailer recently, we now have director James Ponsoldt's favorite clip from the film. Teller stars as Sutter Keely, the "life of the party" and an alcoholic who prefers to live in the moment, while Woodley is the quietly beautiful but introverted Aimee Finicky. The two turn out to be a perfect balance for one another, and in this scene we see them share their very first kiss. From the continuous take to the natural, authentic dialogue, everything about this scene works. Woodley and Teller shared the Sundance award for acting based on their performances, and frankly this is such a perfect representation of the film that they don't really need to show us any more.

If it's not obvious by now, The Spectacular Now is my favorite movie of the year up to this point. You can check out my review from Sundance here, and then set a date to check it out for yourself on August 2nd.