The Year That Was: 2014 in Film

Check out ALL of the PDC end of year lists!

Review: Ava DuVernay's 'Selma'

Starring David Oyelowo

Review: Rob Marshall's 'Into The Woods'

Starring Meryl Streep, Emily Blunt, and Anna Kendrick

Tim Burton's 'Big Eyes'

Starring Christoph Waltz and Amy Adams

Showing posts with label antonio banderas. Show all posts
Showing posts with label antonio banderas. Show all posts

Wednesday, August 20, 2014

Antonio Banderas Faces a Robot Revolt in Trailer for 'Automata'


This past weekend The Expendables 3 pretty much got hammered at the box office, and whether or not that had anything to do with the film being leaked the point is audiences didn't turn out for it. And that's a shame because the film is easily the best of the franchise and features one of the year's most surprisingly hilarious performances by Antonio Banderas, who has been on an impressive streak of late.  He'll next take on a genre he's long claimed to love but rarely had a chance to explore, and that's science-fiction with the new film, Automata.

The first trailer and posters for Automata have been released, and it kind of looks like a cross between I Robot and Blade Runner. Directed by Gabe Ibáñez and co-starring Banderas' wife Melanie Griffith, Dylan McDermott, Robert Forster, and Birgitte Hjort Sørensen, the futuristic film follows an employee of the ROC robotics corporation who investigates the manipulation of a robot. The androids all must follow specific protocols but what Banderas' character discovers is that they may be more human than people realize.

Automata hits theaters and VOD on October 8th.




Thursday, August 14, 2014

Review: 'The Expendables 3' Starring Sylvester Stallone, Wesley Snipes, Mel Gibson, and More


Through two movies Sylvester Stallone's The Expendables has been nothing but unfulfilled promises. The mandate for the franchise was pretty simple: gather the greatest action heroes of the '80s and indulge in every silly cliché the genre had to offer. Action movies today are pretty terrible but their stars are even worse, so it should have been easy to have fun hyping the old guard while bashing the current one. For a lot of reasons Stallone was never able to make things click, but with The Expendables 3 he finally gets it right. This is the explosive old school flick we have been waiting for all this time.

One of the major problems was the bloated cast never really added anything of value. What good were the creaky bones of Chuck Norris and Jean Claude Van Damme? Especially when there were so many characters neither really did much, anyway? The Expendables 3 fixes that with the inclusion of Wesley Snipes, Antonio Banderas, Kelsey Grammer (!!!!) and Mel Gibson, all of whom attack their roles like they've been waiting for just this opportunity. Even the screenplay, which is rife with all the terrible one-liners we'd be disappointed not to hear, actually resembles a real story. Wha??? Heaven forbid somebody remember to give these muscled behemoths something to do.

And what they do is make blowing stuff up and killing folks look like more fun than it should. A daring train assault springs free Doc (Snipes), an original Expendable locked away for years after a botched mission. He's keen with a blade (how ironic that Blade is good with a blade! Oh, Sly aren't you clever?) and makes good with the quips, which makes him perfect to rejoin Barney (Stallone) and his team of grunting old mercs. And this time it's perfectly okay to call these guys a bunch of old fogeys because that's essentially what this film is all about. After taking down some random, vaguely Middle Eastern bad guy, the Expendables are shot to crap by international arms dealer Conrad Stonebanks (Gibson), leaving Hale Caesar (Terry Crews) in a coma. Stonebanks, who probably has the worst name in Expendables history, has an old beef with Barney that stretches back to the group's formation. He's dangerous; so dangerous that Barney decides to leave his aging team in the dust and recruit some new blood.

The junior league of modern hot shots consists of failed-Hercules Kellan Lutz, sexy UFC champ Ronda Rousey, boxer Victor Ortiz, and Glen Powell. With the exception of Rousey the new squad isn't nearly as interesting as the old crew and watching their recruitment is a serious drag. But it does afford us the chance to see Banderas as the chatty pest, Galgo, a mercenary nobody seems to want on their team. Banderas knows the score on movies like this (he was just in Machete Kills) and he's never been funnier. While he's too old for it now but he would have made for one Hell of a Deadpool twenty years ago, based on this badass and hilarious performance alone.

Whereas Harrison Ford, yes Han Solo himself, isn't given a whole lot to do he has a good time while doing it. Whooping and hollering while manning a rescue copter, with Arnold Schwarzenegger and Jet Li spraying bullets dementedly by his side, it's easy to see that this is what The Expendables always should have been. Another bright spot is Gibson, clearly indulging in yet another chance to play a ridiculous bad guy (he was also in Machete Killsin a similar role) who resembles the maniacal Martin Riggs if he went full-on nuts.  It's great stuff, slickly directed by Patrick Hughes who keeps the pace moving while edging out the gory stuff that would have upset the MPAA apple cart. For once the PG-13 rating didn't seem like an obstacle to be overcome, and that's with more action than in the first two films combined. The final sequence alone, a massive tank onslaught where every Expendable struts their stuff, is a cornucopia of violence, terrible jokes, and amazing vehicular feats that would make the Fast & Furious cast blush. Jason Statham (kind of in the background this time) and Snipes measure their...knives...in the middle of a firefight, Banderas hits on Rousey while she just hits people, and Stallone is still somehow faster than artillery fire. Even the final showdown lives up to expectations with Stallone delivering one truly amazing, groan-worthy catchphrase that is destined to end up on t-shirts. In short, it's pretty awesome.

So what are the odds of there being an Expendables 4? Hopefully there won't be any passing of the torch going on but with Stallone finally finding the winning formula these can go on as long as his aging bones will allow. There are still too many stars out there who need their moment in the napalm. One guy you won't ever see is Bruce Willis, who had a very public spat with Stallone over money and quit the movie after appearing in the first two. For a good time, count the number of occasions in which a character calls Willis' character, Mr. Church, an a-hole or disparages him in some way. Clearly the smoke has not cleared on that feud and hopefully the smoke hasn't cleared on The Expendables just yet.

 Rating: 3.5 out of 5

Thursday, July 31, 2014

First Trailer for 3D 'The SpongeBob Movie: Sponge Out of Water'



It may not have made quite the noise of Warner Bros. or Marvel's Comic-Con presentations, but there was a pretty substantial crowd gathered for a first look at The SpongeBob Movie: Sponge Out of Water. The first trailer for the film has now been released, and it shows what happens when SpongeBob and his crew head ashore for a superheroic adventure...in 3D CG animation, no less. On dry land they encounter hot chicks, pirate villains, and all sorts of crazy characters.

Tom Kenny, Bill Fagerbakke, Antonio Banderas, and Clancy Brown lend their voices to The SpongeBob Movie: Sponge Out of Water on February 13th 2015. 

The SpongeBob Movie- Sponge Out of Water TRAILER 1 (2014) - Animated Movie HD by Shachizonzon

Friday, July 25, 2014

Comic-Con: First Look at 'SpongeBob: Sponge Out of Water'



Fifteen years after the silly but incredibly subversive SpongeBob Squarepants debuted on Nickeleodeon, the character is as popular as ever. A decade ago they released The SpongeBob Squarepants Movie and hauled in a cool $140M, which makes one wonder why they waited so long to do another. That will change when SpongeBob: Sponge Out of Water surfaces next year, but for now Paramount and Nickelodeon have released the first image as part of their Comic-Con presentation.

Tom Kenny, Antonio Banderas, Bill Fagerbakke, Clancy Brown, and more will lend their voices to the animated feature, which has the sea-dwelling sponge on shore for a superheroic adventure, if that wasn't obvious enough by the image.

SpongeBob: Sponge Out of Water opens February 13th 2015.

Friday, August 9, 2013

Mel Gibson and Antonio Banderas Confirmed for 'The Expendables 3'



So now that he's snared his white whale by getting Harrison Ford for The Expendables 3, Sylvester Stallone is now trying to make everybody forget the other part of that story. Y'know, where he called out Bruce Willis for being "lazy" and "greedy", all over what amounts to between-the-cushions money for these guys. And a good way to get people to move on past the controversy is to confirm two more big names to the cast.

Mel Gibson and Antonio Banderas are now officially on board after being rumored for months.  They'll be moving over straight from Robert Rodriguez's Machete Kills and into Stallone's film, joining other new additions Wesley Snipes, Milla Jojovich, Jackie Chan, Nicolas Cage, Kellan Lutz, Victor Ortiz, and Ronda Rousey in a *snicker* story that has the older crew facing a tech savvy team of youngsters. Gibson will be playing the villain, while Banderas' role remains unclear but I'm sure it will be quite potent emotionally. Or perhaps not.

Directed by Patrick Hughes, The Expendables 3 opens on August 15th 2014. [EW]

Thursday, April 19, 2012

Trailer Time: 'Ruby Sparks', starring Paul Dano and Zoe Kazan


Anybody who has at one point or another imagined themselves as a novelist, including yours truly, has created a female character who embodies every physical and personality trait they hold most dear. But what would they do if that girl suddenly showed up on their doorstep? And would she be everything they'd hoped her to be, or the greatest disappointment ever?

That's sorta what Paul Dano's character is going through in Ruby Sparks, a quirky new meta-comedy directed by Valerie Faris and Jonathan Dayton, their first film since Little Miss Sunshine. Formerly title He Loves Me and co-written by star Zoe Kazan, the story follows a successful writer(Dano) who can't seem to come back with a strong follow-up. Unlucky in love and struggling with writer's block, he creates a character named Ruby Sparks who is the perfect girl of his dreams, only to wake up one day and find her in his kitchen.

The tone has a touch of Charlie Kauffman, which is definitely a good thing, but what's going to matter most is how they play with the meta nature of the story. They seem to be aiming for the light romantic comedy crowd, and with Dano and the always great Kazan they should be able to pull that off effortlessly. Part of me expects more, though, so I'm assuming there's more to the story than this trailer reveals. Featuring an astounding cast with Steve Coogan, Chris Messina, Deborah Ann Woll, Antonio Banderas, Elliott Gould, Annette Bening, Alia Shawkat, and Aasif Mandvi, Ruby Sparks opens on July 25th. Check out the trailer below....

Monday, May 9, 2011

Teaser Trailer: The Skin I Live In, directed by Pedro Almodovar

Has it been two years already since Almodovar's Broken Embraces? Wow, time flies. The Spanish auteur, who has spent the bulk of his career paying loving tribute to the beauty of women in a variety of different films is prepping his latest, The Skin I Live In, about a surgeon who specializes in the manipulation of their looks. Antonio Banderas, once a Almodovar regular but the two haven't worked together since 1990, stars as the doctor who goes to extreme lengths to create a skin to help save his wife's life. 

The story is based on Thierry Jonque's book, Tarantula, but judging by this brief teaser trailer the plot appears to have been altered somewhat. I'll admit, I had to watch this clip a few times in order to figure out how I felt about it. I know some others are calling it a creepy horror, but to me the whole thing looks a little campy. Or more accurately, it looks like a lot of Almodovar's films, heavily influenced by Spanish telenovellas. Very melodramatic, with a touch of overacting. That's what I see far more than any creep factor.  Still, count me in for this one. Almodovar very rarely disappoints. Check out the teaser trailer below...




The Skin I Live In will be premiering at Cannes, but is already set for a release sometime in November.

Friday, October 8, 2010

Review: You Will Meet a Tall Dark Stranger



            The latest from acclaimed writer/director Woody Allen is a twisting tale of two married couples, Helena (Gemma Jones) and Alfie (Anthony Hopkins) as well as their daughter Sally (Naomi Watts) and her husband Roy (Josh Brolin). The story picks up just after Alfie has left Helena in the midst of a late life crisis leaving Helena lost and alone desperately seeking guidance or just a sign of a hope. Sally and Roy are not doing much better as the one time hit writer Roy is struggling to reclaim that slice of acclaim that was once his, and in the process is leaving Sally very much neglected and without the children she so desperately wants. So what are these now estranged couples going to carry on, well, secretly (or not so secretly) in the comfort of another. Alfie finds his with the much younger and very much gold-digging former working girl/actress Charmaine, Helena seeks comfort in the words of a local sham psychic whose word Helena hangs on as if spoken by God himself. Sally finds herself beginning to fall for her boss Greg (Antonio Banderas), and Roy in the mysterious at first “woman in red” Dia (Frieda Pinto), who lives across the alley just in view of Roy’s adoring eye. All of these relationships start out innocently enough but as things progress we see how far each character is prepared to go in pursuit of their own fulfillment.

            I’ll begin the rundown by saying that I am not a huge fan of Woody Allen, I liked Vicky Christina Barcelona plenty, and Match Point was pretty good…but that’s where my Allen expertise ends. That being said, I found this film somewhat boring with characters so unlikeable it’s hard to even begin caring what happens to them. It’s definitely not for everyone, especially those looking for a sense of completion in their films I must advise against this cinematic endeavor. Only one of the four main storylines reaches any level of finality and even that could be questioned. I know that we as people can be dark, selfish, and stupid, however I choose to believe that there’s also a good side to us all, a side that is completely absent in this movie. I’m not saying I want a mushy, rose colored view of the world but I would like at least a slice of both sides to the story. You end up feeling somewhat bad for most of the characters throughout the story, and maybe that’s the point, but like I said before the characters are unlikeable from jump street so it’s hard to feel bad for them. The other thing I wasn’t really digging was that all of the storylines, save for Helena’s, was something I’d seen a million times before. The older guy(s) wanting the younger woman and the woman falling for her exotic and rich boss, wow Woody, really dug deep in the old creativity bank for those three didn’t ya?

            This isn’t to say that the movie was a stretch of celluloid without a likeable trait, it does have its saving graces. It is funny at times, especially during Helena’s time on screen regurgitating to her family and friends everything her psychic has told her as if it were Gospel, the sheer ridiculousness of it all is enough to give you a chuckle or two. I will also give the giggle award to Charmaine, who’s vapid and bubbly blonde bimbo is just stereotypical enough to incite a few laughs. Roy’s secondary storyline, involving his quest for the next great novel to spring from his mind, is very intriguing though the movie leaves this area gapingly incomplete…I get cliffhangers for sequels sake or even the sake of art but there’s quite a difference between a cliffhanger and an incomplete story, this is the latter. The view, though soggy, is quite beautiful and I must admit well shot, though I’ve always had an affinity for London in film. Lastly is Greg, Sally’s art dealer boss, who was one of the only likeable, yet still flawed, characters in the movie. Banderas does a great job, as always, portraying the wealthy and/or exotic lothario type.

            There it is, draw from it what you will and if you’re a fan of Allen maybe it’s worth a see. Though I will say that I spoke to a few Woody Allen fans that didn’t think it was his best work. To be blunt, and restate myself, the movie was just plain boring. Strangely enough it does keep you interested but feeling as if you don’t know why your interested in something so blah. My opinion, it’s certainly not worth the premium you’ll pay at an art house theater and if you find it at a multiplex…I still say avoid it. If you feel you must see it’s definitely a rental at the most, if for no other reason than the fact there is nothing in the film that is enhanced by the big screen. Save your money, time, gas, and faith in humanity. Skip this one. 



2 out of 5 Guttenberg's